| ABSTRACT | 第3-4页 |
| 摘要 | 第5-6页 |
| ACKNOWLEDGEMENTS | 第6-8页 |
| LIST OF ABBREVIATIONS | 第8-9页 |
| CHAPTER Ⅰ. INTRODUCTON | 第9-22页 |
| A. Navarre Scott Momaday and his works | 第9-10页 |
| B. Literature review | 第10-18页 |
| C. Theoretical framework: Bakhtinian Chronotope | 第18-21页 |
| D. THESIS | 第21-22页 |
| CHAPTER Ⅱ. PSYCHOLOGICAL LOSS IN DOCUMENTARY CHRONOTOPE | 第22-36页 |
| A. Psychological chaos as a result of mundane injustice in the tempo-spatial successiveness in House Made of Dawn | 第23-30页 |
| B. Psychological confusion as a result of the whites’ artistic conception in thetempo-spatial retention in The Ancient Child | 第30-36页 |
| CHAPTER Ⅲ. PHYSICAL HOMECOMING IN BIOGRAPHICAL CHRONOTOPE | 第36-49页 |
| A. Flashback of memory on arrival at the reservation in House Made of Dawn | 第37-43页 |
| B. Retroversion of native tradition in the sacred plain in The Ancient Child | 第43-49页 |
| CHAPTER Ⅳ. SPIRITUAL REBIRTH IN ADVENTURE CHRONOTOPE | 第49-60页 |
| A. Return to native traditional ceremony in the tempo-spatial duration in HouseMade of Dawn | 第50-54页 |
| B. Terminal regression to native myth in the tempo-spatial duration in The Ancient Child | 第54-60页 |
| CHAPTER Ⅴ. CONCLUSION | 第60-62页 |
| WORKS CITED | 第62-66页 |
