| Abstract (in Chinese) | 第4-6页 |
| Abstract (in English) | 第6-7页 |
| Introduction | 第9-18页 |
| 0.1 Graham Swift and Waterland | 第9-10页 |
| 0.2 Literature Review | 第10-15页 |
| 0.3 Theoretical Framework | 第15-18页 |
| Chapter One Narrative Time in Waterland | 第18-29页 |
| 1.1 Non-linear Order: Anacrony in Narration | 第19-23页 |
| 1.2 Rhythmic Duration: Length Arrangement in Narration | 第23-26页 |
| 1.3 Varied Frequency: Narrative Times | 第26-29页 |
| Chapter Two Unreliable Narration of Tom Crick | 第29-40页 |
| 2.1 Shifting of Narrative Person | 第29-33页 |
| 2.2 Implausibility of Tom Crick’s Narrative Account | 第33-35页 |
| 2.3 Inconsistency of Tom Crick’s Narration | 第35-40页 |
| Chapter Three Polyphonic Features | 第40-55页 |
| 3.1 Great Dialogues in Narrative Genres and Characters | 第41-51页 |
| 3.2 Micro-dialogue between Grand Narrative and Little Narrative | 第51-55页 |
| Conclusion | 第55-57页 |
| Bibliography | 第57-60页 |
| Acknowledgements | 第60-61页 |
| 个人简历 | 第61页 |
