| Acknowledgements | 第6-7页 |
| 摘要 | 第7-9页 |
| Abstract | 第9-10页 |
| Introduction | 第13-23页 |
| 0.1 Don DeLillo’s Libra and the Argument of the Thesis | 第13-14页 |
| 0.2 Critical Reviews of Don DeLillo’s Libra | 第14-18页 |
| 0.3 Definition of“animatedness” | 第18-21页 |
| 0.4 Framework and Organization of the Thesis | 第21-23页 |
| Chapter 1 Animation of Media Ideology upon Subject in Libra | 第23-33页 |
| 1.1 The manipulative device | 第24-27页 |
| 1.2 The deceptive device | 第27-30页 |
| 1.3 One-dimensional man | 第30-33页 |
| Chapter 2 Revolution of Subject against Media Ideology in Libra | 第33-43页 |
| 2.1 Over-obedience to the ideological system | 第34-38页 |
| 2.2 Utilizing the rule of ideological system | 第38-40页 |
| 2.3 Counter-acting Effect | 第40-43页 |
| Chapter 3 Power of Powerlessness: Restoration of subjectivity in Libra | 第43-53页 |
| 3.1 Replicating the violence of media manipulating mechanism | 第44-47页 |
| 3.2 Promoting the decentralized media society | 第47-49页 |
| 3.3 Establishing discourse for the marginal group | 第49-53页 |
| Conclusion | 第53-56页 |
| Bibliography | 第56-59页 |
