| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| CHAPTER 1: Feminism as an International Relation Theory | 第8-34页 |
| 1.1 Introduction | 第8-12页 |
| 1.2 Methodology | 第12-16页 |
| 1.3 Feminism as An International Relations Theory | 第16-25页 |
| 1.3.1 Post-positivism: redemption of feminism | 第19-25页 |
| 1.4 The nature of feminism | 第25-28页 |
| 1.5 Statement of the Research | 第28-29页 |
| 1.6 Hypothesis | 第29-30页 |
| 1.7 Limitation of Research | 第30-34页 |
| CHAPTER 2: Feminist Militants from the 1960'Decade | 第34-58页 |
| 2.1 The 1960'decade: History Review | 第34-36页 |
| 2.2 Two Revolutions: Political context USA and Colombia in the 1960' | 第36-48页 |
| 2.2.1 Colombia M19: Antecedents of the Guerrilla group | 第38-42页 |
| 2.2.2 USA: When the Individual became political | 第42-48页 |
| 2.3 Modern Art from the1960' | 第48-50页 |
| 2.4 Evas of art: the first feminist artist | 第50-58页 |
| CHAPTER 3 The artist | 第58-139页 |
| 3.1 American Feminist Artist | 第58-131页 |
| 3.2 Colombian Feminist Artist | 第131-139页 |
| CHAPTER 4: Feminist Art Thematics | 第139-156页 |
| 4.1. Identity/Semantics: Cultural oppressor | 第143-147页 |
| 4.2. War and women | 第147-152页 |
| 4.3 Sexual Abuse | 第152-153页 |
| 4.4. The culture of beauty: obsessions of a modern body | 第153-156页 |
| CHAPTER 5: Art, Feminism and International relations | 第156-161页 |
| 5.1 Is feminism art a social constructor? (Constructivism) | 第156-159页 |
| 5.2 Is Female art a social Critic that supports feminism as an IR theory? | 第159-161页 |
| Conclusions | 第161-163页 |
| References | 第163-184页 |
| Acknowledgements | 第184页 |
