| Abstract | 第4-5页 |
| 摘要 | 第6-8页 |
| Introduction | 第8-15页 |
| 0.1 Literature Review | 第8-12页 |
| 0.1.1 Foreign Studies on The Merchant of Venice | 第8-10页 |
| 0.1.2 Domestic Studies on The Merchant of Venice | 第10-12页 |
| 0.2 Purpose of the Dissertation | 第12-15页 |
| Chapter One Theories of Masculinity | 第15-28页 |
| 1.1 Masculinity | 第15-23页 |
| 1.1.1 Definition of Masculinities | 第15-19页 |
| 1.1.2 The Development of Masculinity Theories | 第19-23页 |
| 1.2 Masculinities in the 16th Century | 第23-28页 |
| 1.2.1 Masculinities in Medicine | 第23-25页 |
| 1.2.2 Masculinities in Physiognomics | 第25-28页 |
| Chapter Two The Walk-off of Hegemonic Masculinity and the Build-up ofComplicit Masculinity | 第28-36页 |
| 2.1 Portia’s Suitors and the Walk-off of their Hegemonic Masculinity | 第28-32页 |
| 2.2 Bassino and the Build-up of his Complicit Masculinity | 第32-36页 |
| Chapter Three The Choice of Subordinate Masculinity and theRe-marginalization of Marginalized Masculinity | 第36-44页 |
| 3.1 Launcelot and his Choice of Subordinate Masculinity | 第36-39页 |
| 3.2 Shylock and the Re-marginalization of his Marginalized Masculinity | 第39-44页 |
| Chapter Four Other Masculinities in The Merchant of Venice | 第44-52页 |
| 4.1 Antonio’s Gay Masculinity | 第44-48页 |
| 4.2 Portia’s Masculinity | 第48-52页 |
| Conclusion | 第52-54页 |
| Acknowledgements | 第54-55页 |
| References | 第55-58页 |
| 攻读硕士学位论文发表成果 | 第58页 |
