| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Ⅰ. Introduction | 第8-18页 |
| 1.1 An Introduction to the Author and His Major Works | 第8-11页 |
| 1.1.1 An Introduction to the Author | 第8-10页 |
| 1.1.2 An Introduction to His Major Works | 第10-11页 |
| 1.2 Literature Review | 第11-17页 |
| 1.2.1 The Latest Findings at Home | 第12-16页 |
| 1.2.2 The Latest Findings abroad | 第16-17页 |
| 1.3 Thesis Statement | 第17-18页 |
| Ⅱ. The Theoretical Foundation | 第18-29页 |
| 2.1 The Definition of Postmodernism | 第18-20页 |
| 2.2 The Understanding of Postmodernism | 第20-21页 |
| 2.3 The Assessment of Postmodernism | 第21-22页 |
| 2.4 The Feasibility of Postmodernism | 第22-23页 |
| 2.5 The Characteristics of Postmodernism | 第23-29页 |
| 2.5.1 Fragmentation and Metafiction | 第23-26页 |
| 2.5.2 Indeterminacy and Intertextuality | 第26-29页 |
| Ⅲ. Fragmentation and Metafiction Embodied in The Sound and the Fury | 第29-38页 |
| 3.1 Fragmentation Embodied in The Sound and the Fury | 第29-35页 |
| 3.1.1 The Disregard of Clock Time-Benjy | 第29-31页 |
| 3.1.2 The Futility to Conquer Time-Quentin | 第31-33页 |
| 3.1.3 The Attempt to Control Time-Jason | 第33-34页 |
| 3.1.4 The Gift for Sensing Time-Disley | 第34-35页 |
| 3.2 Metafiction Embodied in The Sound and the Fury | 第35-37页 |
| 3.3 Summary | 第37-38页 |
| Ⅳ. Indeterminacy and Intertextuality Embodied in The Sound and the Fury | 第38-49页 |
| 4.1 Indeterminacy Embodied in The Sound and the Fury | 第38-44页 |
| 4.1.1 The Indeterminacy of the Protagonists | 第38-40页 |
| 4.1.2 The Indeterminacy of the Plot | 第40-43页 |
| 4.1.3 The Indeterminacy of the Theme | 第43页 |
| 4.1.4 The Indeterminacy of the Language | 第43-44页 |
| 4.2 Intertextuality Embodied in The Sound and the Fury | 第44-47页 |
| 4.3 Summary | 第47-49页 |
| Ⅴ. Conclusion | 第49-52页 |
| References | 第52-56页 |
| Acknowledgements | 第56页 |
