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异化与本真:尤金·奥尼尔戏剧荒诞特征研究

摘要第6-8页
Abstract第8-12页
Introduction第14-30页
Chapter One Alienation:From Existentialism,the Absurd to O' Neill'sAbsurdity第30-64页
    Ⅰ. Repetition: An O' Neillian Family Curse第30-43页
    Ⅱ. Faithlessness: An O' Neillian Defiance of God第43-50页
    Ⅲ. Incommunicability: An O' Neillian Mode of Silence第50-64页
Chapter Two Authenticity: From Existentialism,the Absurd to O' Neill'sAbsurdity第64-92页
    Ⅰ. The Truth of Hopeless Hope第64-73页
    Ⅱ. The Significance of Struggle第73-86页
    Ⅲ. The Hatred of Death第86-92页
Chapter Three Man and Nature:the Absurdist Features in O' Neill's EarlyPlays第92-147页
    Ⅰ. Thirst:Silence and Survivial第92-115页
    Ⅱ. Where the Cross Is Made:"Mary Allen" and Madness第115-132页
    Ⅲ. Gold: Deprivation and Defiance第132-147页
Chapter Four Man and Others: the Absurdist Features in O'Neill's MiddlePlays第147-195页
    Ⅰ. The Hairy Ape: A Thinker for"Belonging"第147-163页
    Ⅱ. Strange Interlude:"The God-Mother"Matters第163-178页
    Ⅲ. Mourning Becomes Electra:"I'm The Last Mannon"第178-195页
Chapter Five Man and the Self: the Absurdist Features in O' Neill's LaterPlays第195-242页
    Ⅰ. More Stately Mansions: A Courageous Facing of the "Mothering Self"第195-212页
    Ⅱ. The Iceman Cometh: The Absurdist As A Philosopher第212-228页
    Ⅲ. Long Day's Journey into Night: A Family War of Anti-Surveillance第228-242页
Conclusion第242-248页
中英文摘要第248-257页
Acknowledgments第257页

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