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从东方主义视角解读《惊奇山谷》中的女性形象

Acknowledgements第5-6页
Abstract第6-7页
摘要第8-12页
Chapter One Introduction第12-20页
    1.1 A Brief Introduction of Amy Tan第12-14页
    1.2 A Brief Introduction of The Valley of Amazement第14-20页
Chapter Two Literature Review第20-32页
    2.1 Researches on Amy Tan and Her Works Abroad第20-23页
        2.1.1 The Studies From the Ideological Perspective第20-21页
        2.1.2 The Studies From the Feministic Perspective第21页
        2.1.3 The Studies From the Ethnic Perspective第21-23页
    2.2 Researches on Amy Tan and Her Works at Home第23-32页
        2.2.1 The Studies From the Cultural Perspective第24-26页
        2.2.2 The Studies From the Post-colonial Perspective第26-27页
        2.2.3 The Studies From the Feministic Perspective第27-29页
        2.2.4 The Studies From the Chinese-Other Perspective第29-32页
Chapter Three Theoretical Framework: Orientalism第32-44页
    3.1 The Life Experience of Edward Said第32-35页
    3.2 Orientalism第35-41页
    3.3 The Relationship Between American Orientalist and Chinese American Writers第41-44页
Chapter Four Women's Images in The Valley of Amazement From the Perspective of Orientalism第44-66页
    4.1 Amy Tan's Presentation of Women's Images From the Perspective of Orientalism第44-56页
        4.1.1 The Manifestation of the Ethnic Identity by Magic Gourd第44-47页
        4.1.2 The Manifestation of the Cultural Identity by Violet第47-49页
        4.1.3 The Manifestation of the Gender Identity by Lulu第49-53页
        4.1.4 The Causes of Orientalized Women Images第53-56页
    4.2 Amy Tan's Subversion of Women's Images From the Perspective of Orientalism第56-66页
        4.2.1 The Subversion of the Ethnic Identity by Golden Dove第57-58页
        4.2.2 The Subversion of the Cultural Identity by Violet第58-60页
        4.2.3 The Subversion of the Gender Identity by Lulu第60-62页
        4.2.4 The Causes of Subversion of Orientalized Women Images第62-66页
Chapter Five Conclusion第66-72页
Bibliography第72-78页

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