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Analysing the Subversive Writing Techniques in the Enigma of Arrival

ACKNOWLEDGEMENTS第8-9页
ABSTRACT第9页
摘要第10-12页
CHAPTER Ⅰ INTRODUCTION第12-21页
    1.1 V. S. Naipaul and His The Enigma of Arrival第12-14页
        1.1.1 An Introduction to V. S. Naipaul第12-14页
        1.1.2 An Introduction to The Enigma of Arrival第14页
    1.2 Literature Review第14-19页
        1.2.1 Studies Abroad第14-17页
        1.2.2 Studies in China第17-19页
    1.3 An Introduction to This thesis第19-21页
CHAPTER Ⅱ THEORETICAL FRAMEWORK第21-28页
    2.1 An Introduction to Jacques Derrida’s Deconstruction Theory第21-25页
    2.2 Derrida’s Subversion of Binary and Hierarchical Oppositions第25-28页
CHAPTER Ⅲ THEME IN THE ENIGMA OF ARRIVAL: SUBVERSION OF CERTAINTY AND UNCERTAINTY第28-35页
    3.1 Non-arrival in Either Side of the Binary Opposition第28-32页
        3.1.1 Non-arrival in the Imaginary World第28-30页
        3.1.2 Non-arrival in the Real World第30-32页
    3.2 Arrival in the Juxtaposed World第32-35页
CHATER Ⅳ IDENTITY IN THE ENIGMA OF ARRIVAL: SUBVERSION OF THE ADVANTAGED AND DISADVANTAGED第35-46页
    4.1 Subversion of Englishness and Non-Englishness第35-38页
    4.2 Subversion of Center and Margin第38-42页
        4.2.1 Exile on the Margin第39-40页
        4.2.2 Lost in the Center第40-41页
        4.2.3 The Enigma of Arrival in the Middle Passage第41-42页
    4.3 Subversion of Man and Writer第42-46页
        4.3.1 The Sharp Binary Opposition of Man and Writer第42-44页
        4.3.2 The Identity as Man and Writer第44-46页
CHAPTER Ⅴ NARRATION IN THE ENIGMA OF ARRIVAL:SUBVERSION OF CLARITY AND AMBIGUITY第46-61页
    5.1 Subversion of Fiction and Nonfiction第47-50页
    5.2 Subversion of Time and Space第50-55页
    5.3 Subversion of Reality and Memory第55-57页
    5.4 Subversion of Positive Space and Negative Space第57-61页
CHAPTER Ⅵ CONCLUSION第61-62页
Notes第62-63页
WORKS CITED第63-65页

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