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从文化图式视角解析电影《推手》的三种文化现象

Abstract第6-7页
摘要第8-14页
Chapter One Introduction第14-18页
    1.1 Research background第14-15页
    1.2 Research objects第15-16页
    1.3 Methodology and data collection第16页
    1.4 Research significance and purpose第16-17页
    1.5 Layout of the thesis第17-18页
Chapter Two Literature Review第18-24页
    2.1 Previous research on schema and cultural schema第18-22页
        2.1.1 Research on schema and cultural schema abroad第18-20页
        2.1.2 Research on schema and cultural schema at home第20-22页
    2.2 Previous research on the film Pushing Hands第22页
    2.3 Summary第22-24页
Chapter Three Theoretical Framework第24-32页
    3.1 Nida’s division on culture factors第24-25页
    3.2 Roles of cultural schemata in cross-cultural communication第25-29页
        3.2.1 Cultural schemata coincidence第25-26页
        3.2.2 Cultural schemata conflict第26-28页
        3.2.3 Cultural schemata vacancy第28-29页
    3.3 Relationship between cultural schema theory and cross-culturalcommunication第29-30页
    3.4 Summary第30-32页
Chapter Four Application of Cultural Schema Theory in Pushing Hands第32-60页
    4.1 A brief introduction to Pushing Hands第32-34页
        4.1.1 Connotation of Pushing Hands第32-33页
        4.1.2 Background and main characters of Pushing Hands第33-34页
    4.2 Cultural schemata in Pushing Hands第34-50页
        4.2.1 Ecology cultural schemata第35-36页
        4.2.2 Material cultural schemata第36-41页
        4.2.3 Social cultural schemata第41-45页
        4.2.4 Religious cultural schemata第45-48页
        4.2.5 Linguistic cultural schemata第48-50页
    4.3 Factors influencing the cultural phenomena of Pushing Hands in light of theCultural Schema Theory第50-52页
        4.3.1 Geographical factors第50-51页
        4.3.2 History factors第51-52页
        4.3.3 Religious factors第52页
    4.4 Implications from Pushing Hands and feasible strategies to handle culturalschema in daily life第52-56页
        4.4.1 Activation of previous existing cultural schema第53-54页
        4.4.2 Adjustment of prior existing cultural schema第54-55页
        4.4.3 Construction of brand-new cultural schema第55-56页
    4.5 Summary第56-60页
Chapter Five Conclusion第60-64页
    5.1 Research results of the thesis第60-62页
    5.2 Limitations第62页
    5.3 Further research orientation and suggestions第62-64页
References第64-67页
Acknowledgements第67-68页
Publications第68-69页

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