| 独创性声明 | 第1-4页 |
| Abstract | 第4-7页 |
| 中文摘要 | 第7-10页 |
| 1 The literature review | 第10-16页 |
| 2 Theoretical perspective | 第16-23页 |
| ·The general principle of literary structuralism | 第16-17页 |
| ·The start of signification and narrative: binary opposition | 第17-19页 |
| ·The structuralist narrative theories of Greimas and Todorov | 第19-23页 |
| ·The structuralist narrative theory of Greimas on semantics | 第19-21页 |
| ·The structuralist narrative theory of Todorov on syntactics | 第21-23页 |
| 3 Binary oppositions in the two tragedies | 第23-34页 |
| ·Binary oppositions in the double plots | 第23-26页 |
| ·Binary oppositions in the images | 第26-32页 |
| ·Binary oppositions in the natural images | 第26-30页 |
| ·Binary oppositions in the images of clothes | 第30-32页 |
| ·Binary oppositions in settings | 第32-34页 |
| 4 The pattern of narrative of the two tragedies | 第34-65页 |
| ·The pattern of narrative in the plot | 第35-65页 |
| ·The pattern of narrative in characters | 第35-60页 |
| ·The pattern of narrative in the family unfolded in the two tragedies | 第60-62页 |
| ·The pattern of narrative in the state unfolded in the two tragedies | 第62-64页 |
| ·The pattern of narrative in the universe unfolded in the two tragedies | 第64-65页 |
| ·The pattern of narrative in theme | 第65页 |
| 5 Conclusion | 第65-69页 |
| Notes | 第69-75页 |
| Bibliography | 第75-79页 |
| Acknowledgements | 第79页 |
