| Acknowledgments | 第1-6页 |
| Abstract | 第6-10页 |
| Introduction | 第10-24页 |
| 1 Reality and Representation in Film | 第10-12页 |
| 2 Representation of the 'Other' in Hollywood | 第12-15页 |
| 3 Literature Review | 第15-17页 |
| 4 Thesis Statement | 第17-18页 |
| 5 Methodology and Structure | 第18-24页 |
| Chapter Ⅰ Construction of Otherness in Alien | 第24-39页 |
| 1 Parker as a Black Man | 第25-29页 |
| 2 Ripley as a (Wo)man | 第29-33页 |
| 3 Multicultural Crew | 第33-39页 |
| Chapter Ⅱ Display of the 'Orient' and Neo-Colonization of Outer Space in Blade Runner | 第39-63页 |
| 1 The 'Other' and the Whites | 第40-50页 |
| ·Third World Little People | 第41-45页 |
| ·Display of 'Oriental' Cultures | 第45-47页 |
| ·The Whites | 第47-50页 |
| 2 The Replicants | 第50-54页 |
| 3 The Women: the Second Sex (or, Are They a Sex at All?) | 第54-57页 |
| 4 Outer Space as New Colony? | 第57-63页 |
| Chapter Ⅲ Re-interpretation of Cultural Myths in 1492: Conquest of Paradise | 第63-86页 |
| 1 Images of Native Americans | 第64-71页 |
| ·Columbus vs. the Local Cacique | 第65-66页 |
| ·The Unbearable Lightness of Representation of the Natives | 第66-68页 |
| ·Native Women: Objects for Men's Visual Pleasure | 第68-71页 |
| 2 Glorification of 'Conquest' | 第71-78页 |
| 3 The 'Discovery' of New Land | 第78-81页 |
| 4 The Incarnation of Eden | 第81-86页 |
| Conclusion | 第86-90页 |
| Bibliography | 第90-94页 |
| Appendix Ⅰ | 第94-95页 |
