| 摘要 | 第1-5页 |
| Abstract | 第5-9页 |
| Chapter One Introduction | 第9-16页 |
| ·Literature Review | 第9-12页 |
| ·Artistic Forms on Liang Zhu and Romeo and Juliet in the West | 第9-11页 |
| ·Domestic Studies on Liang Zhu and Romeo and Juliet | 第11-12页 |
| ·Theoretical Foundation of the Thesis | 第12-15页 |
| ·Research Necessity and Significance of the Study | 第15-16页 |
| Chapter Two Female Absence and Entrapment in Liang Zhu and Romeo & Juliet | 第16-29页 |
| ·Female Absence in Two Works | 第16-21页 |
| ·The Absence of Female Identity | 第17-18页 |
| ·The Absence of Female Discursive Power | 第18-21页 |
| ·Female Entrapment in Two Works | 第21-29页 |
| ·The Contradictory Predicament in Love and Ego Emotion | 第21-23页 |
| ·The Predicament in Society and Family | 第23-25页 |
| ·The Predicament in Mother-daughter Disharmony | 第25-26页 |
| ·The Predicament in Social Morality | 第26-29页 |
| Chapter Three The Deep-rooted Reasons of Female Absence and Entrapment From thePerspective of Feminism | 第29-36页 |
| ·The Oppression of Patriarchy | 第29-31页 |
| ·Feudalistic Ideology | 第31-36页 |
| ·Tumbledown Feudalistic Ideology in the Renaissance | 第32-33页 |
| ·Confucianism-dominated Feudalistic Ideology in the Jin Dynasty | 第33-36页 |
| Chapter Four The Awakening of Female Consciousness | 第36-45页 |
| ·Zhu Yingtai and Juliet's Rebellion in Feudal Society | 第36-42页 |
| ·Zhu Yingtai:Resistance to Feudal Ethics | 第36-39页 |
| ·Juliet:Rebellion of the Patriarchy | 第39-42页 |
| ·The Way of Female Self-reconstruction | 第42-45页 |
| Chapter Five Conclusion | 第45-48页 |
| Works Cited | 第48-50页 |
| Acknowledgements | 第50-51页 |
| 攻读学位期间发表的学术论文目录 | 第51页 |
