| Acknowledgements | 第1-6页 |
| Abstract | 第6-8页 |
| 摘要 | 第8-11页 |
| Chapter 1 Introduction | 第11-17页 |
| ·Introduction of Toni Morrison | 第11-13页 |
| ·Introduction of Toni Morrison’s Jazz | 第13-15页 |
| ·The purpose and organization of the thesis | 第15-17页 |
| Chapter 2 Literature Review | 第17-26页 |
| ·Definition of deviation, cultural identity and identity construction | 第17-19页 |
| ·Previous studies on Toni Morrison and her Jazz | 第19-22页 |
| ·Previous studies on cultural identity and identity construction | 第22-26页 |
| Chapter 3 Theoretical Framework | 第26-37页 |
| ·Theory about linguistic norm | 第26-29页 |
| ·Dynamic and relativity of norm | 第26-27页 |
| ·Primary norm and secondary norm | 第27-29页 |
| ·Theory about deviation | 第29-37页 |
| ·Principle of lexical and semantic deviation | 第30-33页 |
| ·Principle of grammatical and written deviation | 第33-37页 |
| Chapter 4 Application of the Theory in Jazz | 第37-42页 |
| ·Lexical deviation in Jazz | 第37-38页 |
| ·Semantic deviation in Jazz | 第38-39页 |
| ·Grammatical deviation in Jazz | 第39-41页 |
| ·Written deviation in Jazz | 第41-42页 |
| Chapter 5 Interpretation of Cultural Identity and Identity Construction | 第42-54页 |
| ·Interpretation of cultural identity and identity construction on two levels | 第42-47页 |
| ·Linguistic interpretation of cultural identity and identity construction in Jazz | 第42-45页 |
| ·Historic and cultural interpretation of cultural identity and identity construction in Jazz | 第45-47页 |
| ·Solutions for obtaining cultural identity and identity construction | 第47-54页 |
| ·Insistence on development of the black traditional culture | 第47-50页 |
| ·Insistence on development of the black community | 第50-54页 |
| Chapter 6 Conclusion | 第54-58页 |
| ·Major findings and implications of the thesis | 第54-56页 |
| ·Limitations of the thesis and suggestions for further study | 第56-58页 |
| Bibliography | 第58-63页 |
| 攻读硕士期间的科研成果 | 第63页 |
