| ACKNOWLEDGEMENTS | 第1-5页 |
| 摘要 | 第5-7页 |
| ABSTRACT | 第7-12页 |
| LIST OF TABLES | 第12-13页 |
| LIST OF Figures | 第13-14页 |
| Chapter One INTRODUCTION | 第14-18页 |
| ·The History of Concrete Poetry | 第14-15页 |
| ·Research Significance | 第15-16页 |
| ·Organization of the Thesis | 第16-18页 |
| Chapter Two LITERATURE REVIEW | 第18-32页 |
| ·Situation of Study Concerning Concrete Poetry | 第18页 |
| ·Study from Literature Perspective | 第18-21页 |
| ·Contributions from literature perspective | 第18-20页 |
| ·The weaknesses of the study | 第20-21页 |
| ·Study from Stylistics Perspective | 第21-24页 |
| ·Contributions from stylistics perspective | 第21-23页 |
| ·The weaknesses of the study | 第23-24页 |
| ·Study from Linguistics Perspective | 第24-27页 |
| ·Contributions from linguistics perspective | 第24-26页 |
| ·The Weaknesses of the study | 第26-27页 |
| ·Research Methodology of the Present Study | 第27-32页 |
| ·Definition of the MDA theory | 第27-30页 |
| ·Applicability of Multimodal Discourse Analysis Theory | 第30-32页 |
| Chapter Three THEORETICAL FRAMWORK | 第32-44页 |
| ·General Idea | 第32-33页 |
| ·Metafunction and Modality | 第33-38页 |
| ·Metafunction | 第33页 |
| ·Modality and Multimodality | 第33-38页 |
| ·The Multimodality Meaning of Image | 第38-39页 |
| ·The Multimodality Meaning of Color | 第39-40页 |
| ·The Multimodality Meaning of Typography | 第40-41页 |
| ·The Composition of Concrete Poetry | 第41-42页 |
| ·Summary | 第42-44页 |
| Chapter Four THE VISUAL ANALYSIS OF SOME CONCRETE POEMS | 第44-80页 |
| ·General Idea | 第44页 |
| ·Image in Concrete Poetry | 第44-52页 |
| ·Modality meaning of image in visual communication | 第44-46页 |
| ·The Modality Markers in concrete poetry | 第46-50页 |
| ·Four types of Coding Orientation | 第50-52页 |
| ·Summary | 第52页 |
| ·Color in Concrete Poetry | 第52-61页 |
| ·Modality meaning of color in visual communication | 第52-54页 |
| ·The meaning of color in concrete poetry | 第54-60页 |
| ·Summary | 第60-61页 |
| ·Typography in Concrete Poetry | 第61-67页 |
| ·Social semiotic approach to typography | 第61-63页 |
| ·The Modality meaning of typographical features in concrete poetry | 第63-66页 |
| ·Summary | 第66-67页 |
| ·Composition in Concrete Poetry | 第67-74页 |
| ·Introduction of composition | 第67-68页 |
| ·The Three Principles of Composition | 第68-74页 |
| ·Meaning Integration of Visual Modes in Concrete Poetry | 第74-80页 |
| ·Necessity of the Meaning Construction and Integration in Multimodal Discourse | 第74页 |
| ·Methods of integrating multimodal meanings visually | 第74-80页 |
| Chapter Five CONCLUSION | 第80-86页 |
| ·The Essence of Concrete Poetry and Its Future | 第80-81页 |
| ·General Regulations Concerning the Creation and Comprehension of Concrete Poetry | 第81-82页 |
| ·The Possible Influence of the Present Study and Its Limitations | 第82-86页 |
| REFERENCES | 第86-92页 |
| 附录：作者在攻读硕士学位期间发表的论文 | 第92页 |
