| 摘要 | 第4-6页 |
| 英文摘要 | 第6-7页 |
| Introduction | 第10-13页 |
| Chapter One Aestheticism as a Literary Movement | 第13-18页 |
| 1.1 The Development of Aestheticism | 第13-16页 |
| 1.2 Domestic Studies of The Picture of Dorian Gray | 第16-18页 |
| Chapter Two Nietzsche's Aesthetics of Tragedy | 第18-36页 |
| 2.1 Apollonian Worldview | 第18-22页 |
| 2.1.1 Apollonian Culture | 第18-21页 |
| 2.1.2 Apollonian Veil of Tragic Essence and Affiliation for Dionysian Culture | 第21-22页 |
| 2.2 Dionysian Worldview | 第22-28页 |
| 2.2.1 Dionysian Culture | 第23-26页 |
| 2.2.2 The Soul Tragedy and Dionysian Superiority | 第26-28页 |
| 2.3 Nietzsche's Aesthetics Tragedy Theory | 第28-36页 |
| 2.3.1 Apollonian and Dionysian Duality | 第28-30页 |
| 2.3.2 Dialectical Logic Relationship of Duality Impulse for Birth of Tragedy | 第30-36页 |
| Chapter Three The Picture of Dorian Gray from Nietzsche's Aesthetics of Tragedy | 第36-56页 |
| 3.1 Analysis of the Plot | 第36-40页 |
| 3.1.1 Exposition:Painter Basil First Meets Dorian Gray | 第36-37页 |
| 3.1.2 Complication:Apollonian Paradise Lost | 第37-38页 |
| 3.1.3 Crisis:Dorian Kills Basil in a Fit of Rage | 第38-39页 |
| 3.1.4 Falling Action:Abyss of Dionysian Destruction | 第39-40页 |
| 3.1.5 Resolution:All are Destroyed by Fire | 第40页 |
| 3.2 Analysis of Characters | 第40-49页 |
| 3.2.1 Dandy Dorian Gray:Duality of Apollonian and Dionysian | 第41-44页 |
| 3.2.2 Painter Basil Hallward:Apollonian Idyllic Shepherd | 第44-46页 |
| 3.2.3 Lord Harry Wotton:Apollonian and Dionysian Wisdom | 第46-48页 |
| 3.2.4 Apollonian Delusion:Sibyl Vane's Mobile Condition of Death | 第48-49页 |
| 3.3 Analysis of Theme | 第49-56页 |
| 3.3.1 Homer's Apollonian Elements | 第50-51页 |
| 3.3.2 Dionysian Gothic Elements | 第51-52页 |
| 3.3.3 Four Fierce Struggles between Apollonian Art and Dionysian Art | 第52-53页 |
| 3.3.4 Apollonian Redemption by Sparing Hetty Merton Free | 第53页 |
| 3.3.5 Apollonian Veil and Dionysian True Face | 第53-54页 |
| 3.3.6 Ironic Change of the Picture | 第54-56页 |
| Chapter Four Perfect Victory of Dionysus and Significance of Nietzsche's Aesthetics | 第56-68页 |
| 4.1 Dionysian Capacity as Eternal and Primordial Artistic Force | 第56-58页 |
| 4.2 Music Vehicle of Dionysian Wisdom | 第58-59页 |
| 4.3 Artistic Essence | 第59-62页 |
| 4.4 Highest Aim of Aesthetics | 第62-64页 |
| 4.5 Significance of Nietzsche's Aesthetics | 第64-68页 |
| Conclusion | 第68-71页 |
| Bibliography | 第71-76页 |
| 攻读硕士学位期间取得的学术成果 | 第76-77页 |
| 致谢 | 第77页 |
