| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-9页 |
| Chapter One Introduction | 第9-25页 |
| 1.1 A Brief Introduction to the Author and her Two Masterpieces | 第9-13页 |
| 1.2 Literature Review | 第13-18页 |
| 1.3 Research Significance and Originality of the Essay | 第18-19页 |
| 1.4 Theoretical Basis of the Eaasy | 第19-22页 |
| 1.5 Framework of the Essay | 第22-25页 |
| Chapter Two Narrative Voice and Female Authority | 第25-37页 |
| 2.1 Narrative Voice in Feminist Narratology | 第25-26页 |
| 2.2 Female Narrative Voice--- Constructing Female Narrative Authority | 第26-31页 |
| 2.3 Heroine's Diary Writing | 第31-33页 |
| 2.4 Male Narrative Voice--- Introspection on Patriarchal Culture | 第33-37页 |
| Chapter Three Narrative Perspectives and Feminist Consciousness | 第37-46页 |
| 3.1 A Brief Introduction to Narrative Perspective | 第37-38页 |
| 3.2 A Mad Woman's Perspective—Constructing Female Subjectivity | 第38-40页 |
| 3.3 Narrative Perspective in Herland | 第40-46页 |
| 3.3.1 Male Narrative Perspective—Accepting Feminist Consciousness | 第40-44页 |
| 3.3.2 Comparison between Male and Female Narrative Perspectives | 第44-46页 |
| Chapter Four the Significance of Gilman's Narrative Strategies | 第46-48页 |
| Chapter Five Conclusion | 第48-51页 |
| Works Cited | 第51-53页 |
