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《蝴蝶君》的后殖民女性主义解读

摘要第4-5页
Abstract第5页
Chapter One Introduction第7-12页
    1.1 Background of the Study第7-8页
    1.2 A Brief Introduction to David Henry Hwang and M. Butterfly第8-10页
        1.2.1 Life and Works of David Henry Hwang第8页
        1.2.2 Creation Background and Outline of M. Butterfly第8-9页
        1.2.3 Genre of M. Butterfly第9-10页
    1.3 Significance and Purpose of the Study第10-12页
Chapter Two Literature Review of and Post-Colonial Feminism in M. Butterfly第12-20页
    2.1 Literature Review第12-13页
        2.1.1 Research on M. Butterfly at Home and Abroad第12-13页
        2.1.2 Research Limitations of M. Butterfly第13页
    2.2 Post-Colonial Feminism Theory in M. Butterfly第13-20页
        2.2.1 Post-Colonial Criticism Within the Field of Feminism第14-16页
        2.2.2 Feminist Criticism Within the Field of Post-Colonialism第16-20页
Chapter Three Post-Colonialism Reflected in Song Liling and Gallimard第20-29页
    3.1 Marginalization Reflected in Song Liling第21-22页
    3.2 Discourse Subversion Between Song Liling and Gallimard第22-25页
    3.3 Orientalized East Reflected in Song Liling第25-29页
Chapter Four Feminism Reflected in Song Liling第29-38页
    4.1 Oriental Stereotyped Woman in M. Butterfly第30-33页
    4.2 Cio-Cio-San’s Butterfly Materialization Reflected in Song Liling第33-35页
    4.3 Androgyny Reflected in Song Liling第35-38页
Chapter Five Conclusion第38-42页
    5.1 Profile of the Study第38页
    5.2 Limitations of the Study第38-40页
    5.3 Prospects for the Future Research on M. Butterfly第40-42页
Bibliography第42-44页
发表论文和科研情况说明第44-45页
Acknowledgements第45页

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