| Abstract in Chinese | 第1-7页 |
| Abstract in English | 第7-12页 |
| Introduction | 第12-15页 |
| Chapter One Existence of dramatic elements in Shakespeare's Sonnets--Plot, dramatis personae, dramatic rhythm and dialogues | 第15-33页 |
| Ⅰ 1. Shakespeare's motif and dramatis personae of the Sonnets | 第15-20页 |
| Ⅰ 1.1 The motif of the Sonnets | 第16-17页 |
| Ⅰ 1.2 The dramatis personae in the Sonnets | 第17-20页 |
| Ⅰ 2. Shakespearean originality in rhyme and rhythm of the Sonnets | 第20-27页 |
| Ⅰ 2.1 Originality in rhyme scheme and structure of a sonnet | 第20-23页 |
| Ⅰ 2.2 Originality in dramatic rhythm and structure of a sonnet sequence | 第23-27页 |
| Ⅰ 3. Shakespeare as a poet and a dramatist | 第27-33页 |
| Ⅰ 3.1 The overlapping of the poet's and the dramatist's outlook | 第27-29页 |
| Ⅰ 3.2 The voices of the dramatis personae | 第29-33页 |
| Chapter Two Effects of dramatic art of Shakespeare's sonnets--Dramatic Reactions Aroused In Readers | 第33-47页 |
| Ⅱ 1. Readers and Shakespeare's sense of time | 第33-39页 |
| Ⅱ 1.1 The sense of time and the motif of time | 第33-37页 |
| Ⅱ 1.2 The sense of time and dramatis personae | 第37-39页 |
| Ⅱ 2. Readers and Shakespearean thought progression | 第39-47页 |
| Ⅱ 2.1 The relationship between structure, dramatic effect and thought progression | 第40-41页 |
| Ⅱ 2.2. Four patterns of thought progression | 第41-47页 |
| Chapter Three Appreciation of Shakespearean dramatic character in Sonnets--How to read sonnets as a play | 第47-50页 |
| Conclusion | 第50-54页 |
