| Abbreviations | 第1-16页 |
| Introduction | 第16-19页 |
| Chapter One: Culture Industry as a Concept | 第19-33页 |
| 1．1 What is Culture Industry | 第20-27页 |
| 1．2 A Brief History of Culture Industry | 第27-29页 |
| 1．3 A Brief Review of the Research on Culture Industry | 第29-33页 |
| Chapter Two: Audience Reception | 第33-47页 |
| 2．1 Walter Benjamin's Optimistic View about the Active Role-play of the Audience | 第33-38页 |
| 2．2 Walter Benjamin's Negative Attitude toward Mass Media | 第38-40页 |
| 2．3 Walter Benjamin's Legacy to His Successors | 第40-47页 |
| 2．3．1 Reader Response Theory and Morality in Media | 第40-42页 |
| 2．3．2 Walter Benjamin's Influence on British Cultural Studies | 第42-47页 |
| Chapter Three: The Aesthetic Significance of Culture Industry | 第47-82页 |
| 3．1 ”Aura” as a Concept | 第48-54页 |
| 3．2 A Song for the Loss of ”Aura” | 第54-68页 |
| 3．2．1 Walter Benjamin's Optimism about the Loss of ”Aura” | 第54-59页 |
| 3．2．2 A Cross Study on Walter Benjamin's Optimism and Theodor Adorno's Pessimism | 第59-68页 |
| 3．3 A Nostalgia for Aura | 第68-74页 |
| 3．4 Walter Benjamin's Influence on Postmodern Theories of Culture | 第74-82页 |
| 3．4．1 Frederic Jameson's Postmodern Culture Theory | 第74-78页 |
| 3．4．2 New Aura Regained: Mike Featherstone's Understanding of Commerce Culture | 第78-82页 |
| Chapter Four: The Politics of Art: Walter Benjamin's Approach to Film | 第82-98页 |
| 4．1 Walter Benjamin's Understanding of the Politics of Art | 第82-89页 |
| 4．2 Reading Theodor Adorno as a Supplement to Walter Benjamin's Theory | 第89-94页 |
| 4．2．1 Adorno: Anesthetic Effect | 第90-91页 |
| 4．2．2 The Bluest Eyes as a Case Study | 第91-94页 |
| 4．3 Culture Industry and New-colonialism against the Background of Globalization | 第94-98页 |
| Conclusion: Walter Benjamin's Position in Culture Studies and Culture Industry | 第98-102页 |
| Notes and References | 第102-109页 |
| Selected Bibliography | 第109-112页 |
