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后殖民批评视野下恩古吉与沃尔科特戏剧作品对比研究--以《我想结婚就结婚》和《猴山上的梦》为例

摘要第5-7页
ABSTRACT第7-8页
Introduction第11-15页
Chapter 1 Literature Review第15-25页
    1.1 Literature Review of Ngugi wa Thiong'o's Studies at Home and Abroad第15-20页
        1.1.1 Studies From the Cultural Perspective in Ngugi's Dramas第17-18页
        1.1.2 Metatheatre Studies of Ngugi's Drama第18页
        1.1.3 Researches on Language Features of Ngugi's Dramas第18-20页
    1.2 Literature Review of Derek Walcott's Studies at Home and Abroad第20-25页
        1.2.1 Cultural Background and Literature Reviews第21-22页
        1.2.2 Postcolonialism and Cultural Identity in Walcott's Works第22-23页
        1.2.3 Analyses of Language Rhetoric and Imagery第23-25页
Chapter 2 A General Analysis of Postcolonialism and Postcolonial Criticism第25-39页
    2.1 Development and Representatives of Postcolonialism第25-32页
        2.1.1 Development of Postcolonialism第25-27页
        2.1.2 Representatives of Postcolonialism第27-32页
    2.2 From Postcolonialism to Postcolonial Criticism第32-39页
        2.2.1 Postcolonial Criticism and Cultural Identity第34-35页
        2.2.2 Postcolonial Criticism and the Otherness第35-36页
        2.2.3 Postcolonial Criticism and Hybridity第36-39页
Chapter 3 Interpretation of Postcolonial Criticism in Ngugi and Walcott's Dramas第39-65页
    3.1 A Comparison of Cultural Identity in Ngugi and Walcott's Dramas第40-49页
        3.1.1 Loss of Gikuyu Cultural Identity in Ngugi's Marry第41-44页
        3.1.2 The Journey of Seeking Cultural Identity in Walcott's Dream第44-48页
        3.1.3 The Differences and Similarities of Cultural Identity in Ngugi and Walcott's Dramas第48-49页
    3.2 A Comparison of the Otherness in Ngugi and Walcott's Dramas第49-59页
        3.2.1 Confirmation of the Otherness in Africa in Ngugi's Marry第50-52页
        3.2.2 Confirmation of the Otherness in West India in Walcott's Dream第52-58页
        3.2.3 The Differences and Similarities of the Otherness in Ngugi and Walcott's Dramas第58-59页
    3.3 A Comparison of Hybridity in Ngugi and Walcott's Dramas第59-65页
        3.3.1 Hybridity of the Black in Ngugi's Marry第59-60页
        3.3.2 Hybridity of the Black and the Mulatto in Walcott's Dream第60-63页
        3.3.3 The Differences and Similarities of Hybridity in Ngugi and Walcott's Dramas第63-65页
Chapter 4 Introspection for the Present and Future of the Black第65-77页
    4.1 For the Present and Future of the Black in Ngugi's Marry第65-69页
    4.2 For the Present and Future of the Black in Walcott's Dream第69-72页
    4.3 For the Present and Future of Sino-Africa Relations第72-77页
Conclusion第77-80页
Bibliography第80-84页
Acknowledgements第84-85页
Appendix A(攻读学位期间发表论文目录)第85-86页
Appendix B(中英文长摘要)第86-94页

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