| Acknowledgements | 第5-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-8页 |
| Introduction | 第10-19页 |
| 1. E.M. Forster and Howards End | 第10-11页 |
| 2. Literature Review of Howards End | 第11-16页 |
| 2.1 British and American Critics | 第12-15页 |
| 2.2 Forster Studies in China | 第15-16页 |
| 3. Innovation of the Study | 第16-19页 |
| Chapter 1 Music and E.M. Forster | 第19-27页 |
| 1.1 Music in Forster's Life | 第19-21页 |
| 1.2 Music in Forster's Works | 第21-24页 |
| 1.3 Forster's Views on Music | 第24-27页 |
| 1.3.1 Music as an Integrality with Inner Harmony | 第25页 |
| 1.3.2 Music as an Empathic Stimulation | 第25-26页 |
| 1.3.3 Music as a Community | 第26-27页 |
| Chapter 2 Forster's Writing Against the Integrality of Music | 第27-38页 |
| 2.1 The First Movement and Ruth Wilcox's Death | 第28-30页 |
| 2.2 The Second Movement and Duet between Helen and Henry | 第30-33页 |
| 2.3 The Third Movement and Trio among Character's Relationships | 第33-35页 |
| 2.4 The Fourth Movement and Leonard Bast's Death | 第35-38页 |
| Chapter 3 Forster's Writing Against Music's Emotional Stimulation | 第38-47页 |
| 3.1 Helen's Visionary Heroism | 第40-43页 |
| 3.2 Margaret's Excessive Rationalism | 第43-47页 |
| Chapter 4 Forster's Writing Against Musical Community | 第47-55页 |
| 4.1 The Failed Interpersonal Connection | 第47-51页 |
| 4.2 The Faked Group Consciousness | 第51-55页 |
| Conclusion | 第55-57页 |
| Bibliography | 第57-60页 |
