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An Analysis of the Picture of Dorian Gray from Queer Theory

ACKNOWLEDGEMENTS第9-10页
abstract第10页
摘要第11-14页
CHAPTER I INTRODUCTION第14-19页
    1.1 A Brief Introduction to Oscar Wilde and His Writing第14-16页
    1.2 The Plot of The Picture of Dorian Gray第16-17页
    1.3 Significance of the Study第17-19页
CHAPTER II LITERATURE REVIEWⅡ第19-26页
    2.1 Studies of The Picture of Dorian Gray Abroad第19-22页
    2.2 Studies of The Picture of Dorian Gray at Home第22-26页
CHAPTER III THEORETICAL FRAMEWORKⅢ第26-33页
    3.1 The Origin and Development of Queer Theory第26-27页
    3.2 Core Concepts of Queer Theory第27-33页
        3.2.1 Gender Instability第28-30页
        3.2.2 Subversion of Heterosexual Hegemony第30-31页
        3.2.3.Deconstruction of the Binary Opposition of Heterosexuality andHomosexuality第31-33页
CHAPTER IV A QUEER ANALYSIS OF THE PICTURE OF DORIAN GRAY第33-60页
    4.1 Basil Hallward, A Queer第33-42页
        4.1.1 Subversion of Heterosexual Hegemony第33-38页
        4.1.2 Victim of Heterosexual Hegemony第38-42页
    4.2 Lord Henry Wotton, A Queer第42-49页
        4.2.1 Lord Henry’s Misogyny第42-44页
        4.2.2 Lord Henry’s Homosexual Orientation第44-47页
        4.2.3 Lord Henry’s Tragedy第47-49页
    4.3 Dorian Gray, A Queer第49-60页
        4.3.1 Dorian’s Androgyny第50-54页
        4.3.2 Dorian Gray’s Bisexual Tendency第54-57页
        4.3.3 Dorian’s Tragedy第57-60页
CHAPTER V CONCLUSION第60-62页
WORKS CITED第62-65页

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