| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Chapter 1 Introduction | 第8-13页 |
| 1.1 Timothy Mo and His Novels | 第8-10页 |
| 1.2 Research Background | 第10-12页 |
| 1.3 Significance of Topic Selection and Research Method | 第12-13页 |
| Chapter 2 Cognition Perspective: Formal Argument | 第13-21页 |
| 2.1 Shift of Narrative Perspectives and“Implied Editor” | 第13-17页 |
| 2.2 Appendix: the Deconstruction of Binary Opposition Between“Fact”and“Fiction” | 第17-19页 |
| 2.3 Nature of Historiographic Metafiction | 第19-21页 |
| Chapter 3 Aesthetic Perception Perspective: The Emplotment of Historical Events143.1 From“Events”to“Story”: The Fictionalization of History | 第21-29页 |
| 3.1 From “Events” to “ Story”: The Fictionalization of History | 第21-23页 |
| 3.2 Poetic and Figurative Language: Deconstruction and Reconstruction of theHistory | 第23-26页 |
| 3.3 Painting and Photography: Reconstruction of History | 第26-29页 |
| Chapter 4 Ethic Perspective: Ideological Implication | 第29-36页 |
| 4.1 News Report in An Insular Possession：Ideological Implication Behind theDiscourse of“The Other” | 第29-32页 |
| 4.2 China: Marginal to the Scene | 第32-33页 |
| 4.3 Misunderstanding and Prejudice of Chinese Culture and Value | 第33-36页 |
| Chapter 5 Conclusion | 第36-38页 |
| Acknowledgements | 第38-39页 |
| References | 第39-41页 |
| Research Results Obtained During the Study for Master Degree | 第41-42页 |
