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Chinese/English Codeswitching in Chinese Popular Songs

ACKNOWLEDGEMENTS第3-4页
摘要第4-5页
ABSTRACT第5-6页
Symbols used in the thesis第7-11页
Chapter One Introduction第11-14页
    1.1 Introduction第11页
    1.2 Rationale and aims for this study第11-13页
    1.3 The structure of this thesis第13-14页
Chapter two Literature Review第14-26页
    2.1 Definitions of codeswitching第14-15页
    2.2 Types of codeswitching第15-18页
        2.2.1 Situational and metaphorical codeswitching第16页
        2.2.2 Inter-sentential, intra-sentential and tag switching第16-17页
        2.2.3 Discourse-related and participant-related codeswitching第17页
        2.2.4 Alternation, insertion, and congruent lexicalization第17-18页
    2.3 Approaches to the analysis of codeswitching第18-26页
        2.3.1 The sociolinguistic approach第18-20页
        2.3.2 The grammatical approach第20-22页
            2.3.2.1 The free morpheme constraint and the equivalence constraint第20-21页
            2.3.2.2 The government constraint第21页
            2.3.2.3 The Matrix Language Frame Model第21-22页
        2.3.3 The psycholinguistic approach第22-23页
        2.3.4 The conversational analysis approach第23-24页
        2.3.5 The pragmatic analysis approach第24-26页
Chapter Three Theoretical Framework第26-32页
    3.1 Verschueren's linguistic adaptation theory第26-28页
        3.1.1 Four angles of linguistic adaptation第26-28页
        3.1.2 Three notions of linguistic adaptation theory第28页
    3.2 The framework of code-switching in general第28-29页
    3.3 The framework of the present study (The Adaptation Model)第29-32页
Chapter Four Research Methodology and Data Collection第32-35页
    4.1 Research methodology第32页
    4.2 Description of the data collection第32-35页
Chapter Five The Adaptability of C/E Codeswitching in Chinese Popular Songs第35-57页
    5.1 Introduction第35-36页
    5.2 Analysis and discussion第36-56页
        5.2.1 Codeswitching as adaptation to social situations第36-42页
            5.2.1.1 Target audience specification第36-37页
            5.2.1.2 Express solidarity第37-39页
            5.2.1.3 Assert social status第39-40页
            5.2.1.4 Social convention and social norms第40-42页
        5.2.2 Codeswitching as adaptation to the characteristics of the music第42-46页
            5.2.2.1 Rhyme第42-43页
            5.2.2.2 Rap第43-44页
            5.2.2.3 Citation第44-45页
            5.2.2.4 Advertising第45-46页
        5.2.3 Codeswitching as adaptation to the linguistic reality第46-48页
            5.2.3.1 Adaptation concerning foreign concepts第47页
            5.2.3.2 Adaptation concerning the foreign-made products第47-48页
            5.2.3.3 Adaptation concerning the coexistent linguistic expressions第48页
        5.2.4 Codeswitching as adaptation to psychological motivations第48-56页
            5.2.4.1 Codeswitching as fashion-seeking strategy第49-50页
            5.2.4.2 Codeswitching as humour-creating strategy第50-51页
            5.2.4.3 Codeswitching as foreign flavour gaining strategy第51-52页
            5.2.4.4 Codeswitching as affection expressing strategy第52-53页
            5.2.4.5 Codeswitching as emphasizing strategy第53-54页
            5.2.4.6 Codeswitching as politeness strategy第54-55页
            5.2.4.7 Codeswitching as linguistic economy strategy第55-56页
    5.3 Summary第56-57页
Chapter Six The variability of the C/E Codeswitching第57-61页
    6.1 Introduction第57页
    6.2 Overall analysis of variability manifested in linguistic units第57-60页
        6.2.1 Inter-sentential and intra-sentential codeswitching第58-60页
        6.2.2 Tag-switching第60页
    6.3 Summary第60-61页
Chapter Seven Attitudes and Problems第61-63页
Chapter Eight Conclusion第63-66页
BIBLIOGRAPHY第66-69页
Appendix Ⅰ: Questionnaire第69-71页
Appendix Ⅱ: Questionnaire result第71-72页
Appendix Ⅲ: Names of the songs collected第72-76页
Appendix Ⅳ: Published works第76-77页
学位论文独创性声明第77页
学位论文使用授权声明第77页

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