| ABSTRACT | 第6-8页 |
| 摘要 | 第9-11页 |
| ACKNOWLEGEMENTS | 第11-16页 |
| LIST OF ABBREVIATIONS | 第16-17页 |
| CHAPTER ONE INTRODUCTION | 第17-31页 |
| 1.1 Michael Cunningham and His Works | 第17-19页 |
| 1.2 The Scholarly Context | 第19-22页 |
| 1.3 The Research Problem and Its Significance | 第22-25页 |
| 1.4 Heterotopia and Identity Construction | 第25-29页 |
| 1.5 Structure of the Thesis | 第29-31页 |
| CHAPTER TWO PHYSICAL SPACES OF THREE MAIN CHARACTERS | 第31-39页 |
| 2.1 Virginia Woolf: Country Space | 第31-34页 |
| 2.2 Laura Brown: Domestic Space | 第34-36页 |
| 2.3 Clarissa Vaughn: Urban Space | 第36-39页 |
| CHAPTER THREE JUSTAPOSED SPACES AND DISCIPLINE OF POWER | 第39-55页 |
| 3.1 Operation Mechanism of Power | 第40-42页 |
| 3.2 Construction of Covert Female Heterotopia by Symbolic Images | 第42-50页 |
| 3.2.1 The mirror and the dead bird | 第42-45页 |
| 3.2.2 The birthday cake and the book | 第45-48页 |
| 3.2.3 The flower and the name | 第48-50页 |
| 3.3 Surveillance of Overt Male-Dominated Space | 第50-55页 |
| CHAPTER FOUR THE CONSTRUCTION OF SELF-IDENTITY AND ITSCONSEQUENCE | 第55-73页 |
| 4.1 Sexual Identity | 第56-62页 |
| 4.1.1 Challenge to gender binary tradition | 第57-60页 |
| 4.1.2 Revolt against heterosexual hegemony | 第60-62页 |
| 4.2 Social Identity | 第62-67页 |
| 4.2.1 Virginia's persistence as a woman writer | 第64-65页 |
| 4.2.2 Laura's rebellion against the housewife at home | 第65-66页 |
| 4.2.3 Clarissa's refusal of the Mrs. Dalloway | 第66-67页 |
| 4.3 Heterogeneity: Result of Self-Searching | 第67-73页 |
| 4.3.1 Death for mental serenity | 第68-69页 |
| 4.3.2 Escape for dream | 第69-70页 |
| 4.3.3 Epiphany for freedom | 第70-73页 |
| CHAPTER FIVE CONCLUSION | 第73-77页 |
| WORKS CITED | 第77-83页 |
| RESEARCH ACHIEVEMENTS | 第83-85页 |
| PERSONAL PROFILES | 第85-86页 |
