| 摘要 | 第6-7页 |
| Abstract | 第7-8页 |
| Contents | 第9-11页 |
| Chapter 1 Introduction | 第11-29页 |
| 1.1 Poetic imagery:Definition and Features | 第11-14页 |
| 1.2 Previous Studies on Poetic Imagery | 第14-19页 |
| 1.3 Previous Studies on Poetic Imagery in Chinese Song Poetry | 第19-24页 |
| 1.4 Purpose and Significance of the Research | 第24-25页 |
| 1.5 Methodology and Data Collection | 第25-28页 |
| 1.6 Layout of the Thesis | 第28-29页 |
| Chapter 2 Theoretical Review:Conceptual Blending Theory | 第29-41页 |
| 2.1 Theoretical Background of Conceptual Blending Theory | 第29-31页 |
| 2.2 The Basic Concepts and Elements | 第31-35页 |
| 2.2.1 Mental Spaces | 第31-33页 |
| 2.2.2 Cross-space Mapping | 第33-35页 |
| 2.3 The Basic Model and Essential Procedures of Conceptual Integration | 第35-39页 |
| 2.3.1 The Basic Model of Conceptual Blending | 第35-36页 |
| 2.3.2 Selective Projection | 第36-37页 |
| 2.3.3 Generic Space | 第37页 |
| 2.3.4 Blend | 第37页 |
| 2.3.5 Emergent Structure | 第37-39页 |
| 2.4 The Types of Blending Network in Conceptual Blending Theory | 第39-41页 |
| 2.4.1 Optimality Principles | 第39-40页 |
| 2.4.2 Network Types | 第40-41页 |
| Chapter 3 Conceptual Integration Approach to Poetic Imageries in Chinese Song Poetry | 第41-61页 |
| 3.1 Classification of Poetic Imageries in Chinese Song Poetry from Literary Schools Level | 第42-51页 |
| 3.1.1 Classification of Poetic Imageries of the Sentimental School | 第43-49页 |
| 3.1.2 Classification of Poetic Imageries of the Powerful and Free School | 第49-51页 |
| 3.2 Conceptual Integration Approach to the Poetic Imagery | 第51-61页 |
| 3.2.1 Emergent Meaning Production:Mapping, Compression, Blending in Theme of Leaving | 第52-55页 |
| 3.2.2 Emergent Meaning Production:Mapping, Compression, Blending in Theme of Meditate on the Past | 第55-57页 |
| 3.2.3 Emergent Meaning Production:Mapping, Compression, Blending in Theme of Lovesickness | 第57-58页 |
| 3.2.4 Emergent Meaning Production:Mapping, Compression, Blending in Theme of in Boudoir Repining | 第58-61页 |
| Chapter 4 Cognitive Mechanism Based on the Poetic imagery in Chinese Song Poetry | 第61-84页 |
| 4.1 Compression of Relations between the Poetic Imageries in Chinese Song Poetry | 第61-77页 |
| 4.1.1 Cause-effect Relation | 第63-66页 |
| 4.1.2 Time, Space Relation | 第66-71页 |
| 4.1.3 Identity Relation | 第71-75页 |
| 4.1.4 Part and Whole Relation | 第75-77页 |
| 4.2 Metaphorical Mapping | 第77-80页 |
| 4.3 Emergent Meaning Originated From the Padding towards Virtual Dimension | 第80-84页 |
| 4.3.1 Padding towards Virtual Dimension | 第80-81页 |
| 4.3.2 Emergent Meaning as Result of Dynamic Blending | 第81-84页 |
| Chapter 5 Conclusion | 第84-86页 |
| Bibliography | 第86-90页 |
| Acknowledgements | 第90-91页 |
| Appendix | 第91-95页 |
| Papers Published During MA Study | 第95页 |
