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笼中鸟—凯特·肖邦《觉醒》中沉睡的男性形象

Acknowledgements第3-4页
Abstract第4-5页
摘要第6-10页
Introduction第10-16页
Chapter Ⅰ The New Orleans Cage in the 1890s第16-23页
    A. A Historical Survey第16-20页
        1. New Orleans up to the 1890s第16-19页
        2. Louisiana Law and Patriarchy第19-20页
    B. Women and Feminist Movement第20-21页
        1. Domestic Sphere for a Woman第20页
        2. Feminist Movement and New Look of Women's Life第20-21页
    C. Men and the Agony of Masculinity第21-23页
        1. Public Sphere for a Man第21-22页
        2. Poison of the "Patriarchal Dividend"第22-23页
Chapter Ⅱ Three Male Birds in the Cage第23-33页
    A. The Loving Husband Leonce Pontellier第23-27页
        1. Middle Age Married Man第23-24页
        2. Leonce's Pains and Confusion第24-27页
    B. The Young Fellow Robert Lebrun第27-30页
        1. Unmarried Young Man第27页
        2. Robert's Love and Silence第27-30页
    C. The Smiling "Don Juan" Alcee Arobin第30-33页
        1. A Man about Town第30-31页
        2. Arobin's Sensuality and Notoriety第31-33页
Chapter Ⅲ Two Male Birds Out of the Cage第33-39页
    A. The Impetuous Youngster Victor Lebrun第33-35页
        1. Youth on the Threshold of Society第33页
        2. Victor's Caprice and Expectations第33-35页
    B. The Illuminated Elderly Doctor Mandelet第35-39页
        1. The Sagacious Old in Retirement第35-36页
        2. Doctor Mandelet's Insights and Withdrawal第36-39页
Chapter IV Kate Chopin, Ambivalence or Enunciation第39-42页
    A. Chopin's Ambivalence Towards Feminism第39-40页
    B. Chopin's Extended Sympathy for Men第40-42页
        1. The Male Parrots and Others第40-41页
        2. Chopin as a Wife and an Artist第41-42页
Conclusion第42-44页
Works Cited第44-46页

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