| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Introduction | 第7-16页 |
| Chapter One The Masculine Gender Performatives in Angels | 第16-30页 |
| ·Gender Performativity and Hegemonic Heterosexual Masculinity | 第16-18页 |
| ·Joe's Performance of Masculinity | 第18-24页 |
| ·Appearance and scent | 第18-19页 |
| ·Heterosexual marriage with Harper | 第19-21页 |
| ·Aggression in career | 第21-23页 |
| ·Concealment and repression of homosexual desire | 第23-24页 |
| ·Roy's Performance of Masculinity | 第24-30页 |
| ·Desire for power | 第24-27页 |
| ·Denial for homosexuality and ADIS | 第27-30页 |
| Chapter Two The Feminine Gender Performatives in Angels | 第30-41页 |
| ·Failure in the Performativity and Feminine Performatives | 第30-31页 |
| ·Belize's Performance of Femininity | 第31-35页 |
| ·Belize as an ex-drag queen | 第32-33页 |
| ·Girl talk and feminine gestures | 第33-35页 |
| ·Prior's Performance of Femininity | 第35-41页 |
| ·Drag persona | 第36-37页 |
| ·Girl talk | 第37-38页 |
| ·Weak emotion | 第38-41页 |
| Chapter Three The Gender Fluidity in Angels | 第41-50页 |
| ·The Fluidity of the Gender | 第41-42页 |
| ·The Gender Fluidity of Joe:Coming Out and Return | 第42-46页 |
| ·Coming out as a homosexual | 第43-45页 |
| ·Returning to his wife | 第45-46页 |
| ·The Gender fluidity of Louis:From a Butch Man to a Feminine Man | 第46-50页 |
| ·Being a butch man | 第46-48页 |
| ·Becoming a feminine man | 第48-50页 |
| Conclusion | 第50-53页 |
| Bibliography | 第53-58页 |
| Acknowledgements | 第58页 |
