| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Acknowledgements | 第7-9页 |
| Introduction | 第9-13页 |
| Chapter One “Tradition” Is of “Wider Significance”: the Historical Sense Embodied in the Theory of New Criticism | 第13-30页 |
| ·T. S. Eliot: Tradition and Individual Talents | 第13-19页 |
| ·Rene Wellek：History and Literary Criticism | 第19-24页 |
| ·Cleanth Brooks: Tradition and Modern Poetry | 第24-30页 |
| Chapter Two Looking at Poetry from Historical Perspective: The Critical Practice of the New Criticism | 第30-47页 |
| ·From“Dante” to “Ben Johnson”: Eliot’s Historical Sense | 第30-36页 |
| ·Rene Wellek and A History of Modern Criticism | 第36-41页 |
| ·“Marvell’s ‘Horatian Ode’”: Brooks’ Historical Perspective | 第41-47页 |
| Chapter Three Historical Sense: A Line between New Criticism and Russian Formalism | 第47-57页 |
| ·Form: New Strategy of Reading VS. Scientific Footing | 第47-49页 |
| ·Linguistic Development: the Appliance of Modern Semantics | 第49-53页 |
| ·Application: Social Responsibility, or Literariness | 第53-57页 |
| Conclusion | 第57-60页 |
| Works Cited | 第60-62页 |
