| Acknowledgements | 第1-4页 |
| 中文摘要 | 第4-6页 |
| Abstract | 第6-9页 |
| Chapter One INTRODUCTION | 第9-12页 |
| ·The Proposal | 第9-10页 |
| ·Literature Review | 第10-12页 |
| Chapter Two STRUCTURALISM IN NARRATOLOGY:STRUCTURES WITHIN TEMPORAL AND SPATIAL FRAMEWORK | 第12-20页 |
| ·Structuralism in Narratology | 第12-13页 |
| ·Structural Elements as Dynamic Relations | 第13-18页 |
| ·Structuralism within a Storyworld | 第18-20页 |
| Chapter Three STRUCTURAL ANALYSIS OF MUSIC:A PARALLEL STUDY WITH STRUCTURAL ANALYSIS OF NARRATIVE | 第20-36页 |
| ·The Basics of Structural Analysis of Music | 第20-22页 |
| ·Music and Literature:The Shared Nature | 第22页 |
| ·Parallels in Structures of Music and Narrative | 第22-31页 |
| ·Sentence-Level and Beyond | 第22-24页 |
| ·Spatiality:Levels of the Vertical Structure | 第24-28页 |
| ·Tones and Intervals as Basic Units | 第24页 |
| ·Chords as Functions and Harmonic Progression as Sequence | 第24-28页 |
| ·Temporality:Musical Forms as the Horizontal structures | 第28-31页 |
| ·Motives and Themes as Actants | 第28-30页 |
| ·Harmonies as Indices | 第30页 |
| ·Key as Storyworld | 第30-31页 |
| ·Case Study:Sonata Form | 第31-36页 |
| Chapter Four CASE STUDY-SHAKESPEARE'S HAMLET | 第36-47页 |
| ·The Exposition:The Polarization of the Two Thematic Groups:Acts 1 and 2 | 第36-40页 |
| ·The Dissonance | 第36-38页 |
| ·First Thematic Group:Hamlet | 第38-39页 |
| ·Second Thematic Group:Claudius and His Subordinates | 第39-40页 |
| ·The Development:Acts 3,4,5.1 and 5.2:1-329 | 第40-42页 |
| ·The Recapitulation:Acts 5.1,5.2:1-363 | 第42-43页 |
| ·Introduction and Coda:Fortinbras | 第43-44页 |
| ·Conclusion | 第44-47页 |
| WORKS CITED | 第47-50页 |
