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肖邦寡妇题材故事叙事策略背后的道德问题

摘要第5-6页
ABSTRACT第6页
Chapter 1 Introduction第9-19页
    1.1 Kate Chopin’s Life第9-11页
    1.2 Previous Research on Kate Chopin’s Works第11-15页
    1.3 Chopin’s Five Stories on Widowhood第15-16页
    1.4 Significance, Theory and Structure of the Thesis第16-19页
Chapter 2 Moral Flattery and Circumvention behind Characters and Characterization第19-31页
    2.1 Naive and Submissive Personality of Widows to Cater to Social Morality第19-22页
    2.2 Deliberate Dress and Behaviors of Widows under Moral Restriction第22-25页
    2.3 Superficial Social Comments and Care about Widows under Moral Standard第25-27页
    2.4 Moral Scapegoats of Widows’Awakening第27-31页
Chapter 3 Moral Flattery and Circumvention behind Setting and Autobiographical Elements第31-37页
    3.1 Unusual Nature outside and Moral Irony第31-32页
    3.2 Depressing Room inside and Moral Restriction第32-33页
    3.3 Autobiographical Elements and Moral Circumvention第33-37页
Chapter 4 Moral Flattery and Circumvention behind Plot and Emplotment第37-51页
    4.1 Women’s Awakening in Widowhood under Moral Restriction第37-44页
        4.1.1 Firm Decision of Divorce of Madame Celestin第37-38页
        4.1.2 Love Affair and Widowhood of Madame Delisle第38-40页
        4.1.3 Overwhelming Joy of Mrs. Mallard第40-42页
        4.1.4 Desire for Love and Companionship of Madame Martel第42-43页
        4.1.5 Clamor for Youth Right of Octavie第43-44页
    4.2 Unexpected Endings to Avoid Moral Blame第44-51页
        4.2.1 Madame Celestin’s Reversed Decision of Divorce第44-46页
        4.2.2 Madame Delisle’s Loyalty to Dead Husband第46-47页
        4.2.3 Mrs. Mallard’s Death第47页
        4.2.4 Madame Martel’s Son’s Return第47-49页
        4.2.5 Octavie’s Fiancé’s Return第49-51页
Chapter 5 Conclusion: Feminism with the Moral Mask第51-52页
Acknowledgments第52-53页
References第53-55页
Research Results Obtained During the Study for Master Degree第55-56页

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