| Acknowledgements | 第5-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Introduction | 第11-16页 |
| Chapter One Cathy Song's Cultural Stance | 第16-27页 |
| 1.1 Diminished Parental Heritage | 第16-20页 |
| 1.2 An Affinity with American Cultural Legacy | 第20-23页 |
| 1.3 Cathy Song's Double Vision | 第23-27页 |
| Chapter Two Rejection of a Monolithic Face:An Escape fromDometic Domains | 第27-38页 |
| 2.1 Ren and Freudian Escape | 第28-31页 |
| 2.2 Feminist Flight in Revisionist Fairy Tale | 第31-35页 |
| 2.3 Possessive Mother and the Bond-Breaker | 第35-38页 |
| Chapter Three Resistance against Dominant Discourses:Retrieval of thePast, Romantic Rhetoric and Self-Exoticization | 第38-49页 |
| 3.1 Diving into the Wreck | 第38-42页 |
| 3.2 Romantic Rhetoric and Anti-Victimization | 第42-45页 |
| 3.3 Reconciliation between the Foreign and the Self | 第45-49页 |
| Conclusion | 第49-52页 |
| Works Cited | 第52-57页 |
