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双性同体视域下海明威战争小说中两性关系嬗变研究

Acknowledgements第5-6页
Abstract第6-7页
摘要第8-11页
Introduction第11-27页
    0.1 Ernest Hemingway, War and His Three War Novels第11-14页
    0.2 Literature Review第14-20页
    0.3 Objectives and Significance of the Study第20页
    0.4 Theory of Androgyny第20-25页
        0.4.1 Origin of Androgyny第20-23页
        0.4.2 Woolf's Androgynous Views第23-25页
    0.5 Framework of the Thesis第25-27页
Chapter One Initiating Search for Male-female Relationship in The Sun AlsoRises第27-45页
    1.1 Brett's Adherence to Her Immanent Masculinity第27-34页
        1.1.1 Behaviors Embedded with Masculinity第28-31页
        1.1.2 Persistence in Masculinity第31-34页
    1.2 Jake's Acceptance of His Repressive Femininity第34-42页
        1.2.1 Struggle with His Femininity第34-39页
        1.2.2 Embracing His Femininity第39-42页
    1.3 Possible Togetherness第42-45页
Chapter Two Rejecting Patriarchal Models in A Farewell to Arms第45-62页
    2.1 Catherine's Transformation of the Traditional Femininity第46-51页
        2.1.1 Ambivalence about Femininity第47-49页
        2.1.2 Acknowledgement of Masculinity第49-51页
    2.2 Frederic's Transcendence of the Sole Masculinity第51-59页
        2.2.1 Allegiance to Masculinity第52-55页
        2.2.2 Desperation for Masculinity第55-57页
        2.2.3 Acceptance of Femininity第57-59页
    2.3 Loving Union第59-62页
Chapter Three Pursuing Ideal Male-female Relationship in For Whom the BellTolls第62-72页
    3.1 Maria's Recovery by Her Expressed Masculinity第62-66页
        3.1.1 Debasement of Femininity第63-64页
        3.1.2 Expression of Masculinity第64-66页
    3.2 Jordan's Growth by His Activated Femininity第66-70页
        3.2.1 Weakness of Masculinity第66-68页
        3.2.2 Activation of Femininity第68-70页
    3.3 True Unity第70-72页
Conclusion第72-75页
References第75-80页
About the Author第80页

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