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概念整合理论视角下的莎士比亚四大悲剧中的典故研究

摘要第3-4页
Abstract第4-5页
Chapter Ⅰ Introduction第11-14页
    1.1 Background第11页
    1.2 Purpose and Significance第11-12页
    1.3 Organization第12-14页
Chapter Ⅱ Literature Review第14-19页
    2.1 Previous Studies on Figure of Speech in Shakespeare's Plays at Home第14-16页
        2.1.1 Previous Studies on Figure of Speech in Shakespeare第14-15页
        2.1.2 Previous Studies on Allusions in Shakespeare第15-16页
    2.2 Previous Studies on Figure of Speech in Shakespeare's Plays Abroad第16-17页
        2.2.1 Previous Studies on Allusions第16-17页
        2.2.2 Previous Studies on Allusions in Shakespeare's Plays第17页
    2.3 Summary第17-19页
Chapter Ⅲ Theoretical Basis and Research M ethodology第19-31页
    3.1 Theoretical Frame:Conceptual Blending Theory第19-27页
        3.1.1 Theoretical Background第19-20页
        3.1.2 Network Model of Conceptual Blending第20-22页
        3.1.3 Conceptual Blending Networks第22页
        3.1.4 Traditional Rhetoric and Cognitive Rhetoric第22-27页
    3.2 Allusions in Shakespeare plays第27-28页
        3.2.1 Definition第27-28页
    3.3 Comparison of Chinese and English Allusion第28-29页
    3.4 Methodology第29-31页
        3.4.1 Research Questions第29页
        3.4.2 Data Collection第29-30页
        3.4.3 Research Procedure第30-31页
Chapter Ⅳ Results and Discussions第31-60页
    4.1 Categorization of Allusions in Shakespeare's Plays by Source第31-37页
        4.1.1 Proverbs第31-32页
        4.1.2 The Bible第32-33页
        4.1.3 Mythology第33-34页
        4.1.4 Historical Stories and Events第34-35页
        4.1.5 Literature第35-36页
        4.1.6 Others第36页
        4.1.7 Summary第36-37页
    4.2 Cognitive Mechanism of Allusions第37-53页
        4.2.1 Understanding Allusions in Blending Networks第38页
        4.2.2 Allusions in Simplex Network第38-41页
        4.2.3 Allusions in Mirror Network第41-44页
        4.2.4 Allusions in Single-scope Network第44-48页
        4.2.5 Allusions in Double-scope Network第48-51页
        4.2.6 Integrated Networks第51-53页
    4.3 Effects of Allusions第53-60页
        4.3.1 Rendering Sad Atmosphere第54-57页
        4.3.2 Enriching the Image of the Character第57-58页
        4.3.3 Deepening the Plays Theme第58-60页
Chapter Ⅴ Conclusion第60-62页
    5.1 Major Findings第60-61页
    5.2 Limitations and Suggestions for Further Study第61-62页
Bibliography第62-66页
Acknowledgements第66-67页

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