| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Contents | 第9-11页 |
| Chapter 1 Introduction | 第11-15页 |
| ·The Background of the Study | 第11-12页 |
| ·The Purpose of the Study | 第12-13页 |
| ·The Framework of the Thesis | 第13-15页 |
| Chapter 2 Theoretical Basis and Literature Review | 第15-22页 |
| ·The Previous Study on Existentialism both at Home and Abroad | 第15-17页 |
| ·Theoretical Basis of the Thesis | 第17-18页 |
| ·Literature Review on Shakespeare both at Home and Abroad | 第18-22页 |
| ·Researches on Shakespeare's Heroines | 第18-19页 |
| ·Researches on Shakespeare's Gender View | 第19-22页 |
| Chapter 3 The Female's Cross-dressing in The Merchant of Venice | 第22-34页 |
| ·Caskets and Portia | 第22-23页 |
| ·Portia's Active Cross-dressing | 第23-24页 |
| ·Portia's Genuine Existence | 第24-28页 |
| ·Impact of Active Cross-dressing to Genuine Existence | 第28-34页 |
| Chapter 4 By Cross-dressing to Survive in a New Circumstance | 第34-46页 |
| ·Rosalind's Cross-dressing to Escape in As You Like it | 第34-37页 |
| ·Viola's Compromise in Existence in Twelfth Night | 第37-40页 |
| ·Imogen's Absolutely Arranged Cross-dressing in Cymbeline | 第40-43页 |
| ·Relation between Being-in-itself and Being-for-itself in New Circumstances | 第43-46页 |
| Chapter 5 Factors of Others for Being-in-itself and Being-for-itself | 第46-53页 |
| ·Being-in-itself and Being-for-itself in Shakespeare's Periods | 第46-50页 |
| ·The Other Others for Being-in-itself and Being-for-itself | 第50-53页 |
| Chapter 6 Conclusion | 第53-57页 |
| ·The Summary of the Thesis | 第53-54页 |
| ·The Implication of the Research | 第54-55页 |
| ·The Limitations of the Research | 第55-56页 |
| ·The Trend of Further Study | 第56-57页 |
| Bibliography | 第57-60页 |
| 在校期间的研究成果及发表的学术论文 | 第60-61页 |
| Acknowledgements | 第61页 |
