| 摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Contents | 第9-11页 |
| Introduction | 第11-16页 |
| Chapter One Theoretical Basis and Literature Review | 第16-34页 |
| ·From Impressionism to Literary Impressionism | 第16-25页 |
| ·Impressionism in Painting | 第17-19页 |
| ·Definition and Characteristics of Literary Impressionism | 第19-25页 |
| ·Joseph Conrad and Impressionism | 第25-26页 |
| ·Literature Review | 第26-33页 |
| ·Studies on Literary Impressionism | 第26-29页 |
| ·Studies on Heart of Darkness | 第29-33页 |
| ·Summary | 第33-34页 |
| Chapter Two Impressionist Sensibility in Heart of Darkness | 第34-42页 |
| ·Impressionist Visual Aspect | 第34-38页 |
| ·Conrad's Typical Colors:Black and White-A Juxtaposition | 第34-37页 |
| ·Other Color Images and Images to Form Impressions | 第37-38页 |
| ·Conrad's Resort to Other Senses to Form Impressionist Atmosphere | 第38-40页 |
| ·Impressionist Sensibility and Conrad's Seeking to Reach Secret Spring of Responsive Emotions | 第40-41页 |
| ·Summary | 第41-42页 |
| Chapter Three Impressionist Narrative in Heart of Darkness | 第42-54页 |
| ·Limited Narration | 第42-45页 |
| ·The Primary Narrator's Limited Narration | 第43-44页 |
| ·Marlow's Limited Narration | 第44-45页 |
| ·Multiple Narration | 第45-49页 |
| ·Marlow's Shifting Perspectives | 第45-47页 |
| ·Multiple Perspectives of Other Characters | 第47-49页 |
| ·Delayed Decoding | 第49-52页 |
| ·Impressionist Narrative Method and Conrad's Skeptical Views toward Truth | 第52-53页 |
| ·Summary | 第53-54页 |
| Chapter Four Impressionist Temporality in Heart of Darkness | 第54-62页 |
| ·Juxtaposition of Mechanical Time and Human Time | 第54-57页 |
| ·Emphasis on Capturing the Contextualized Feeling in a Fleeting Moment | 第57-59页 |
| ·Impressionist Temporality and Conrad's Epistemology of Subjectivity | 第59-60页 |
| ·Summary | 第60-62页 |
| Conclusion | 第62-64页 |
| Bibliography | 第64-69页 |
| 攻读硕士学位期间发表的学术论文 | 第69-70页 |
| Acknowledgements | 第70页 |
