| Abstract | 第3-4页 |
| 摘要 | 第5-7页 |
| Contents | 第7-9页 |
| Chapter One Brief Introduction of Julian Barnes and His Flaubert’s Parrot | 第9-16页 |
| 1.1 Brief Introduction of His Flaubert’s Parrot | 第10页 |
| 1.2 Literature Review | 第10-13页 |
| 1.3 Aims of Thesis | 第13-16页 |
| Chapter Two Historiographic Metafictioin | 第16-21页 |
| 2.1 Background of Postmodernism | 第16-18页 |
| 2.2 Definition of Historiographic Metafiction | 第18-19页 |
| 2.3 Characteristics of Historiographic Metafiction | 第19页 |
| 2.4 Major Problems of Historiographic Metafiction | 第19-21页 |
| Chapter Three Flaubert’s Parrot as a Text of Historiographic Metafiction | 第21-42页 |
| 3.1 Narrative Strategies of Flaubert’s Parrot | 第21-30页 |
| 3.1.1 Narrative Level of Flaubert’s Parrot | 第21-23页 |
| 3.1.2 Parody | 第23-27页 |
| 3.1.3 Collage | 第27-28页 |
| 3.1.4 Multiple Points of View | 第28-30页 |
| 3.2 The Problematic of Subjectivity | 第30-34页 |
| 3.2.1 The Ex-centric, Off-centric and Unstable Subject: Braithwaite and Louise Colet | 第31-32页 |
| 3.2.2 The Subject in History: Louise Colet | 第32-34页 |
| 3.3 The Problematic of Reference and Representation | 第34-38页 |
| 3.3.1 Reference to Truth and Reference to Falsity in Flaubert’s Parrot | 第35-36页 |
| 3.3.2 The Difficulty and Impossibility of Representation of Flaubert’s life | 第36-38页 |
| 3.4 The Relation of Truth and Falsity | 第38-42页 |
| 3.4.1 Reinventing the Nexus of Truth and Falsity | 第39-40页 |
| 3.4.2 Blurring on the Line between Truth and Falsity in Flaubert’s Parrot | 第40-42页 |
| Chapter Four Multiple Histories | 第42-47页 |
| 4.1 Multiple Voiced and Marginal Histories | 第42-44页 |
| 4.2 The Binary Opposition of Official and Unofficial History | 第44-47页 |
| Chapter Five Conclusion | 第47-49页 |
| Bibliography | 第49-52页 |
| Acknowledgements | 第52-53页 |
| 在读期间公开发表论文（著）及科研情况 | 第53页 |
