| Abstract | 第4-5页 |
| 摘要 | 第6-10页 |
| Chapter1 Introduction | 第10-16页 |
| 1.1 Brief Introduction to Coetzee and Disgrace | 第10-11页 |
| 1.2 A Survey of Previous Criticism on Disgrace | 第11-13页 |
| 1.3 The Structure of the Thesis | 第13-16页 |
| Chapter 2 Psychoanalytical Criticism and Lacanian Psychoanalysis | 第16-19页 |
| 2.1 Psychoanalytical Criticism | 第16-17页 |
| 2.2 Lacanian Psychoanalysis | 第17-19页 |
| Chapter 3 The Mirror Stage: the Self and the Other | 第19-38页 |
| 3.1 Fight and Revolt—Cronus | 第21-31页 |
| 3.1.1 The Sexual Relationship between Lurie and Soraya | 第21-23页 |
| 3.1.2 Lurie’s Temptation of Melanie | 第23-25页 |
| 3.1.3 The Conflicts between Lurie and Lucy | 第25-27页 |
| 3.1.4 The Rape of Lucy | 第27-29页 |
| 3.1.5 The Conflict between White People and Black People | 第29-31页 |
| 3.2 Peace and Harmony | 第31-38页 |
| 3.2.1 Melanie’s Obedience to Lurie | 第31-34页 |
| 3.2.2 The Marriage between Lucy and Petrus | 第34-35页 |
| 3.2.3 The Harmony between Lurie and Lucy | 第35-38页 |
| Chapter 4 Psychespace—The Three Orders | 第38-49页 |
| 4.1 The Real Order—Lurie’s Need | 第39-42页 |
| 4.2 The Imaginary Order—Lurie’s Demand | 第42-46页 |
| 4.3 The Symbolic Order—Lurie’s Desire | 第46-49页 |
| Chapter 5 Metaphor | 第49-64页 |
| 5.1 The Metaphor of the Characters | 第50-58页 |
| 5.1.1 Lurie and Lucy—the Representatives of the White People | 第50-57页 |
| 5.1.2 Petrus—the Representative of the Black People | 第57-58页 |
| 5.2 The Metaphor of the Dog | 第58-62页 |
| 5.2.1 The Target of Abreaction | 第59-60页 |
| 5.2.2 The Referent of the Rights of Life and Equality | 第60-61页 |
| 5.2.3 The Referent of Reluctant Choice and Death | 第61-62页 |
| 5.3 The Metaphor of the Opera about Byron | 第62-64页 |
| Conclusion | 第64-66页 |
| Bibliography | 第66-70页 |
| Acknowledgements | 第70-71页 |
| Publication | 第71页 |
