| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Chapter One Introduction | 第7-14页 |
| 1.1 Brief Introduction to the Author and the Three Plays | 第7-10页 |
| 1.2 Literature Review | 第10-14页 |
| Chapter Two Theoretical Framework | 第14-23页 |
| 2.1 "Hybridity" in Homi K. Bhabha's Postcolonial Theory | 第14-18页 |
| 2.2 The Notion of "Third Space" | 第18-19页 |
| 2.3 Booth's Concept of "Implied Author" | 第19-23页 |
| Chapter Three Conflict | 第23-39页 |
| 3.1 Conflicts in Christian families | 第23-31页 |
| 3.1.1 Di-gou and His Sisters | 第23-28页 |
| 3.1.2 Barbara VS. Hinson | 第28-30页 |
| 3.1.3 Individual Belief VS. Family Harmony | 第30-31页 |
| 3.2 Confucian Regulations and Christian Doctrines | 第31-37页 |
| 3.3 Conflict between American-Chinese and American-Japanese | 第37-39页 |
| Chapter Four Integration | 第39-46页 |
| 4.1 Eng Ahn's Pursuit for Integration | 第39-44页 |
| 4.2 Andrew's Return to Chinese Culture | 第44-46页 |
| Chapter Five The Religious View of the Real Author | 第46-52页 |
| 5.1 Similarities Between the Impiled Author and the Real Author | 第46-49页 |
| 5.2 The Religious View of the Real Author: Quest for the Third Space | 第49-52页 |
| Chapter Six Conclusion | 第52-54页 |
| Acknowledgements | 第54-55页 |
| Bibliography | 第55-57页 |
| 攻硕期间取得的研究成果 | 第57页 |
