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《青年艺术家的肖像》中前景化特征的文体分析

摘要第3-4页
Abstract第4-5页
Contents第6-8页
Chapter One Introduction第8-14页
    1.1 James Joyce and His A Portrait of the Artist as a Young Man第8-10页
    1.2 Purpose and Significance of the Present Study第10-11页
    1.3 Methodology and Data Collection第11-12页
    1.4 Organization of the Thesis第12-14页
Chapter Two Literature Review第14-24页
    2.1 Foregrounding Studied Abroad第14-21页
    2.2 Foregrounding Studied At Home第21-24页
Chapter Three Theoretical Framework:Foregrounding第24-30页
    3.1 What is Stylistics?第24-25页
    3.2 Various Views on Style第25-28页
        3.2.1 Style as Deviance第26-27页
        3.2.2 Style as Choice第27页
        3.2.3 Style as Foregrounding第27-28页
    3.3 Types of Foregrounding第28-29页
        3.3.1 Deviation第28-29页
        3.3.2 Over-regularity第29页
    3.4 Summary第29-30页
Chapter Four Deviation in A Portrait of The Artist as a Young Man第30-54页
    4.1 Lexical Deviation第30-32页
    4.2 Grammatical Deviation第32-37页
    4.3 Graphological Deviation第37-39页
    4.4 Semantic Deviation第39-47页
        4.4.1 Symbolism第40-44页
        4.4.2 Synaesthesia第44-47页
    4.5 Dialectal Deviation第47-49页
    4.6 Deviation of Register第49-52页
    4.7 Summary第52-54页
Chapter Five Over-regularity in A Portrait of the Artist as a Young Man第54-67页
    5.1 Phonological Over-regularity第54-62页
        5.1.1. Alliteration第54-57页
        5.1.2 Consonance第57-62页
    5.2 Syntactic Over-regularity第62-66页
        5.2.1 Repetition第62-64页
        5.2.2 Parallelism第64-66页
    5.3 Summary第66-67页
Chapter Six Conclusion第67-70页
    6.1 Summary of the Present Study第67-68页
    6.2 Limitations of This Thesis and Suggestions for Further Study第68-70页
References第70-74页
攻读学位期间的研究成果第74-75页
Acknowledgement第75-76页

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