| Acknowledgements | 第1-5页 |
| English Abstract | 第5-7页 |
| Chinese Abstract | 第7-11页 |
| Chapter One Introduction | 第11-14页 |
| Chapter Two Dionysian Carnivalesque Spirit in Western Cultures | 第14-18页 |
| ·Birth of Dionysus as a Canivalesque God | 第14-15页 |
| ·Dionysus as a Carnival Symbol in Western Culture | 第15-16页 |
| ·Collective Suppression of Dionysian Spirit since Socrates | 第16-18页 |
| Chapter Three Dionysian Revival in the Modern Irish Context | 第18-37页 |
| ·Direct Dionysian Manifestations in Ulysses | 第18-23页 |
| ·Dionysian Intoxication and Modern Bar Cultures | 第19-20页 |
| ·Dionysian Rituals and Modern Ballads and Dances | 第20-21页 |
| ·Dionysian Sensual Abandon and the Culture of Obscenity | 第21-23页 |
| ·Dionysian Revival as a De-constructing Power in the Modern Irish Context | 第23-37页 |
| ·“Mulligan”as a Modern Dionysian Figure | 第24-26页 |
| ·Grotesque Body as a De-constructing Power | 第26-28页 |
| ·Dionysian Escapement to the “Womb of Being”and Chronotope | 第28-33页 |
| ·“Other World”and Bloom’s Escapement from Reality | 第30-32页 |
| ·“Carnival Squares”in Ulysses | 第32-33页 |
| ·Dionysian Gaiety as Joyce’s Gift for His Countryman | 第33-37页 |
| Chapter Four Dionysian Revival in Joyce’s Narration | 第37-45页 |
| ·Dionysian Author of Joyce | 第37-38页 |
| ·Parody and the Dionysian Subversion | 第38-42页 |
| ·Parody of Homeric Odyssey and Anti-literature Hegemony | 第38-40页 |
| ·Parody of Catechism and Anti-Catholicism | 第40-41页 |
| ·Parody of Irish Songs and Anti-sentimentalism | 第41-42页 |
| ·Polyphony, Dialogism and Literature Democracy | 第42-45页 |
| ·Polyphony and Its Numerous Voices | 第42-43页 |
| ·Dialogue as One’s Own Psychic Movement | 第43-45页 |
| Chapter Five Impact of the Dionysian Revival on Readers | 第45-51页 |
| ·Music as a Criticism of Life | 第45-48页 |
| ·Dionysian Choral Odes | 第45-46页 |
| ·Musical Ear Needed in Siren | 第46-48页 |
| ·Filling the Gap—Joyce’s Invitation to Dionysian Carnival | 第48-51页 |
| Chapter Six Conclusion | 第51-53页 |
| References | 第53-55页 |
| Publications | 第55页 |
