| 摘要 | 第1-7页 |
| ABSTRACT | 第7-9页 |
| Contents | 第9-11页 |
| Chapter 1 Introduction | 第11-17页 |
| ·The Reasons Why Choosing Shanghai as the Domestic Object | 第11-12页 |
| ·The Reasons Why Choosing New York as the Foreign Object | 第12-13页 |
| ·Similarities of the Two Metropolises | 第13-14页 |
| ·New Developments of Two Metropolises` Cultures in 21stCentury | 第14-17页 |
| Chapter 2 The Theoretic Basis of Urban Cultural Structure | 第17-23页 |
| ·A Literary Review on Theories and Comparative Researches of Urban Culture | 第17-19页 |
| ·An Introduction to Leslie Write`s cultural Structure Theory | 第19-21页 |
| ·Introductions to Cultural Elements and Cultural Forms | 第21-23页 |
| Chapter 3 Comparisons on the Three Elements of Cultural Structure between Shanghai and New York | 第23-37页 |
| ·People: The Subject of Cultural Space | 第23-26页 |
| ·Places: The Structure of Spatial Node | 第26-30页 |
| ·Activities: The Structure of Time Node | 第30-37页 |
| Chapter 4 Comparisons on the Five Forms of Cultural Structure between Shanghai and New York | 第37-47页 |
| ·Literature: The Basic Form of Cultural Structure | 第37-38页 |
| ·Music: The Auditory Form of Cultural Structure | 第38-40页 |
| ·Art: The Visional Form of Cultural Structure | 第40-42页 |
| ·Dance: The Active Form of Cultural Structure | 第42-43页 |
| ·Film: The Comprehensive Form of Cultural Structure | 第43-44页 |
| ·Creative Industry: The New Form of Cultural Structure | 第44-47页 |
| Chapter 5 Conclusion | 第47-51页 |
| References | 第51-54页 |
| Appendix | 第54-55页 |
| Acknowledgements | 第55页 |
