摘要 | 第1-8页 |
Abstract | 第8-13页 |
Introduction | 第13-15页 |
Chapter 1 Literature Review | 第15-27页 |
·Understanding Doris Lessing | 第15-18页 |
·Studies on The Grass Is Singing at Home and Abroad | 第18-27页 |
Chapter 2 Brief Introduction of Feminist Narratology | 第27-32页 |
·The Origin and Development of Feminist Narratology | 第27-29页 |
·Its Difference from Classic Narratology and Feminism Criticism | 第29-32页 |
Chapter 3 Narrative Voice: the Double Voices of the Narrator and Characters | 第32-47页 |
·The Voice of the Narrator: the Influence of the Authorial Voice on Female Authority | 第33-40页 |
·The Interpretation of Authorial Voice | 第33-35页 |
·The Application of Authorial Narrator in the Fiction | 第35-38页 |
·The Paradox of Authoriality in Exerting Female Authority | 第38-40页 |
·The Voice of Characters: Female Voice’s Descending Combined with the Ascending of Male Voice | 第40-43页 |
·The Double Voices of the Narrator and Characters in Term of Free Indirect Speech | 第43-47页 |
Chapter 4 Narrative Perspective: the Alternation of Zero-focalization and the Inner Perspective of Characters | 第47-59页 |
·The Innovative Effects of Zero-focalization | 第48-51页 |
·The Interaction of the Focal Character and Female Authority | 第51-59页 |
·The Contest for Gaze Power in Marriage | 第52-56页 |
·Mary’s Evolution of Self-examination | 第56-59页 |
Chapter 5 Narrative Mode: Distinctive plotting and Characterization | 第59-79页 |
·Plotting Mode: Three Deep Structures | 第60-68页 |
·Women’s Existence in Patriarchic Domination | 第60-64页 |
·The Double Demonstration of Color Bar | 第64-67页 |
·Wealth Gap in the White Capitalism | 第67-68页 |
·Figure Mode: Narrative Meaning of Several Typical Characters | 第68-79页 |
·The Awakening of Female Consciousness—Mary | 第69-73页 |
·The Representatives of Weak Masculinity—Dick and Tony | 第73-76页 |
·The Mix of the Savior and the Killer—Moses | 第76-79页 |
Conclusion | 第79-82页 |
Bibliography | 第82-89页 |
Acknowledgements | 第89-90页 |
Appedix (攻读学位期间主要研究成果目录) | 第90-91页 |
详细摘要 | 第91-102页 |