| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Chapter One Introduction | 第9-12页 |
| 1.1 Research Background | 第9-10页 |
| 1.2 Research Aims and Objectives | 第10-11页 |
| 1.3 Research Questions | 第11页 |
| 1.4 Research Methods | 第11-12页 |
| Chapter Two Literature Review | 第12-17页 |
| 2.1 Studies on Christina Rossetti's Poetry abroad | 第12-14页 |
| 2.2 Studies on Christina Rossetti's Poetry at Home | 第14-17页 |
| Chapter Three Theoretical Basis | 第17-25页 |
| 3.1 Theory of Misreading | 第17-22页 |
| 3.1.1 A Brief Introduction to Harold Bloom | 第17-18页 |
| 3.1.2 An Introduction to Theory of Misreading | 第18-21页 |
| 3.1.3 A Review on Theory of Misreading | 第21-22页 |
| 3.2 Epistle as A Theoretical Guidance | 第22-25页 |
| Chapter Four Christina Rossetti's Poetic Misreading on John Keats | 第25-47页 |
| 4.1 Nightingale in Shadow: Keats and His Misreading Poetics | 第25-29页 |
| 4.2 Christina Rossetti and John Keats | 第29-33页 |
| 4.3 "Repining": A Clinamen of "The Eve of St. Agnes" | 第33-37页 |
| 4.4 "The Convent Threshold": A Tessera and A Kenosis of "The Eve of St. Agnes" | 第37-47页 |
| Chapter Five Christina Rossetti's Poetic Misreading on Dante Gabriel Rossetti | 第47-61页 |
| 5.1 Genius of Beauty in Anxiety: Dante Gabriel Rossetti and His Misreading Poetics .. 39 5.2 Christina Rossetti and Dante Gabriel Rossetti | 第47-52页 |
| 5.2 Christina Rossetti and Dante Gabriel Rossetti | 第52-54页 |
| 5.3 "In an Artist's Studio": A Daemonization of "The Portrait" | 第54-57页 |
| 5.4 "The Lowest Room": An Askesis of Self-Purgation | 第57-61页 |
| Chapter Six Conclusion | 第61-64页 |
| 6.1 Summary | 第61-62页 |
| 6.2 Limitations and Research Prospects | 第62-64页 |
| Works Cited | 第64-68页 |
| 攻读硕士学位期间取得的研究成果 | 第68-69页 |
| Acknowledgements | 第69-70页 |
| 附件 | 第70页 |
