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艾米莉·狄金森诗歌的美学分析

摘要第5-9页
Abstract第9-11页
Contents第12-14页
Introduction第14-25页
Chapter 1 A Different Self:the Aesthetic Subject of Dickinson's Poetry第25-48页
    1.1. "Self" in Dickinson's Poetry:a Mysterious Subject第25-27页
    1.2. A Transcendentalist Construction of Subject第27-38页
        1.2.1. Transcendentalism and Its Influence on Dickinson:from Philosophy to Aesthetics第28-30页
        1.2.2. Aesthetic Specialties of Dickinson's Poetic Subject: Individualism, Spirituality and Immediacy第30-38页
    1.3. Three Identities of the Aesthetic Subject:Woman, Child and the Soul of Nature第38-48页
        1.3.1. The "Self" as a Poetic Structure第38-39页
        1.3.2. Woman:a Spiritualized Identity Overlapping with That of Poet第39-41页
        1.3.3. Child:a Full Embodiment of Woman Subject in This World第41-44页
        1.3.4. Soul of Nature:Transformation of the Poetic Subject第44-48页
Chapter 2 Images in Realms:the Aesthetic Object of Dickinson's Poetry第48-81页
    2.1. Images in the Realm of Nature第53-62页
        2.1.1. Poems as Nature Itself第53-54页
        2.1.2. Ima.ges in Three Levels of the Subject-Nature Relationship第54-62页
    2.2. Images in the Realm of Life:Society,Life and Love第62-72页
        2.2.1. The Absence of Physical Labor:a Preliminary Perspective第62-63页
        2.2.2. Dickinson's Class Consciousness:Negative and Positive Aesthetic Effects第63-65页
        2.2.3. Aesthetic Qualities of Images in the Realm of Life and Society第65-72页
    2.3. Images in the Realm of Mind:Thought and Faith第72-81页
        2.3.1. The Realm of Mind:a Return to the Aesthetic Subject第72页
        2.3.2. Images in Conflicts between Faith and Doubt第72-75页
        2.3.3. Images in a Self-Reflective Thought第75-81页
Chapter 3 A Two-Folded Communication:the Aesthetic Process of Dickinson's Poetry第81-93页
    3.1. Inspection and Pervasion第82-84页
    3.2. Affirmative and Irony第84-88页
    3.3. Rebellion and Integration第88-93页
Conclusion第93-96页
Bibliography第96-100页
Acknowledgements第100-101页
攻读学位期间主要的研究成果目录第101页

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