| Acknowledgements | 第3-4页 |
| Abstract ( Chinese) | 第4-6页 |
| Abstract (English) | 第6页 |
| Abbreviations | 第8-9页 |
| Part Ⅰ Introduction | 第9-12页 |
| 1.1 Keats the Man and the Poet | 第9-10页 |
| 1.2 Keats's Studies Since the 1990s | 第10页 |
| 1.3 The Study of the Odes | 第10-12页 |
| Part Ⅱ The Sensuous Images and the Role of the Synaesthetic Imagery | 第12-14页 |
| 2.1 The Sensuous Images in the Odes | 第12-13页 |
| 2.2 The Role of the Synaesthetic Imagery | 第13-14页 |
| Part Ⅲ The Types and Outstanding Samples of the Synaesthetic Imagery | 第14-21页 |
| 3.1 The Types of the Synaesthetic Imagery | 第14-15页 |
| 3.2 The Outstanding Samples of the Synaesthetic Imagery | 第15-21页 |
| 3.2.1 The Outstanding Samples | 第15-17页 |
| 3.2.2 The Functions of the Samples | 第17-21页 |
| Part Ⅳ The Study of the Theoretical Bases of the Synaesthetic Imagery | 第21-35页 |
| 4.1 The Perceptional-psychological Bases | 第21-26页 |
| 4.1.1 The Psychological Basis | 第21-23页 |
| 4.1.2 the Perceptional Basis | 第23-26页 |
| 4.2 The Synaesthetic Imagery and the Theory of Defamiliarization | 第26-35页 |
| 4.2.1 Background in the Theory of Defamiliarization | 第26-28页 |
| 4.2.2 Great Tradition of Defamiliarization in English Romanticists | 第28-30页 |
| 4.2.3 The Synaesthetic Imagery and Defamiliarization | 第30-35页 |
| Part Ⅴ Conclusion | 第35-38页 |
| Bibliography | 第38-40页 |
