| Acknowledgements | 第4-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Introduction | 第9-27页 |
| 1. Martin McDonagh as a Playwright | 第11-13页 |
| 2. The Beauty Queen of Leenane | 第13-14页 |
| 3 Literature Review | 第14-19页 |
| 4 Theoretical Framework | 第19-27页 |
| 4.1 European Gothic Conventions and the Gothic traditions in Irish Literature | 第19-24页 |
| 4.2 Two Gothic Concepts:Abjection and the Uncanny | 第24-27页 |
| Chapter Ⅰ Spiritual Paralysis of Mag and Maureen | 第27-36页 |
| 1.1 The Abject Mother:A Living Dead | 第27-32页 |
| 1.1.1 Lumpy Complan | 第27-29页 |
| 1.1.2 Foul Wee | 第29-32页 |
| 1.2 The Abject Daughter:Following Mother's Step | 第32-36页 |
| 1.2.1 Sadistic Backlash | 第32-34页 |
| 1.2.2 The Doubling | 第34-36页 |
| Chapter Ⅱ Beauty Queen and "Eveline" | 第36-44页 |
| 2.1 Inter-textual Reading of Maureen and Eveline | 第36-41页 |
| 2.2 Cultural Comparisons of Joyce's Dublin and McDonagh's Leenane | 第41-44页 |
| Chapter Ⅲ The Beauty Queen and the Old Hag | 第44-51页 |
| 3.1 Old Hag or Beauty Queen? | 第44-46页 |
| 3.2 Cultural Analysis:Feminist Concerns and Beyond | 第46-51页 |
| Conclusion | 第51-54页 |
| Works Cited | 第54-58页 |
