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美国后现代主义小说《鱼鹰湖》的比喻模式研究

Acknowledgements第4-5页
Abstract第5-6页
摘要第7-10页
Chapter One Introduction第10-19页
    1.1 E. L. Doctorow:a Jewish Humanist第10-12页
    1.2 Loon Lake:A Mirror of the Great Depression第12-14页
    1.3 Literature Review:At Home and Abroad第14-17页
    1.4 Significance and Structure of the Thesis第17-19页
Chapter Two Theoretical Framework第19-26页
    2.1 "Tropics of Discourse":Deep Structure of Historical Consciousness第19-20页
    2.2 Four Trope Models:Metaphor, Metonymy, Synecdoche and Irony第20-26页
        2.2.1 Metaphor第21-22页
        2.2.2 Metonymy第22-23页
        2.2.3 Synecdoche第23-24页
        2.2.4 Irony第24-26页
Chapter Three Tropological Images in Loon Lake第26-34页
    3.1 Loon Lake:A Metaphor of Wealth and Isolation第26-28页
    3.2 Fanny the Fat Lady:A Metonymy of Human Innocence第28-31页
    3.3 The Loon's Dive:A Synecdoche of Corruption in Human Identity第31-34页
Chapter Four Tropological Motifs in Loon Lake第34-40页
    4.1 Search for father:A Synecdoche of Search for Self-identity第34-37页
    4.2 The Success of Joe:An Irony of American Dream第37-40页
Chapter Five Tropological Models in Loon Lake第40-53页
    5.1 Models of Narrative Strategy第40-44页
        5.1.1 The Mixture of Genres and Voices:A Metaphor of Mental Chaos第40-42页
        5.1.2 Computer Language:A Metonymy of Chaos in Modern Society第42-44页
    5.2 Models of Character Development第44-53页
        5.2.1 The Bildungsroman of Joe:A Metonymy of Boyhood Adventure第45-49页
        5.2.2 Warren Penfield:A Synecdoche in the Disillusion of Idyllic Romance第49-53页
Chapter Six Conclusion第53-56页
Bibliography第56-59页
攻读硕士期间的科研成果第59页

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