| 中文摘要 | 第1-6页 |
| Abstract | 第6-9页 |
| Chapter One Introduction | 第9-15页 |
| ·A Brief Introduction to Chinese American Drama | 第9-12页 |
| ·The development of Chinese American drama | 第9-10页 |
| ·The famous playwrights and works | 第10-12页 |
| ·Ping Chong and Chinoiserie | 第12-15页 |
| ·Ping Chong and his experimental characteristics | 第12-13页 |
| ·Synopsis of Chinoiserie | 第13-15页 |
| Chapter Two About Cross-Cultural Study | 第15-19页 |
| ·Definitions | 第15-16页 |
| ·Research Methods | 第16页 |
| ·Significances of the Study | 第16-19页 |
| Chapter Three Cross-Cultural Appropriation of Chinese Theatrical Techniques | 第19-28页 |
| ·Adoption of Chinese Singing-Speaking-Acting-Fighting (chang-nian-zuo-da) | 第20-23页 |
| ·The adopting characteristic of Chinese theatre in singing pattern | 第20-21页 |
| ·The adopting characteristic of Chinese theatre in speaking pattern | 第21-22页 |
| ·The adopting characteristic of Chinese theatre in acting pattern | 第22页 |
| ·The adopting characteristic of Chinese theatre in fighting pattern | 第22-23页 |
| ·Simple Staging Setting and Symbolic Technique | 第23-24页 |
| ·Adoption of Chinese Theatrical Instruments | 第24-28页 |
| Chapter Four Cross-Cultural Interpreting of the History | 第28-39页 |
| ·An Alternative Interpretation of the Origin of Tea | 第28-30页 |
| ·Bricolage of the History of the Opium War: A Counter-History | 第30-33页 |
| ·The reconstruction of “Chinese image” | 第33-39页 |
| Chapter Five An Interpretation of Ping Chong’s Cross-Cultural Play | 第39-46页 |
| ·The Insolvability of Eastern-Western Cultural Conflicts | 第39-41页 |
| ·World Citizen: a Unique Cultural Identification | 第41-46页 |
| Chapter Six Conclusion | 第46-49页 |
| Bibliography | 第49-53页 |
| 发表论文和科研情况说明 | 第53-54页 |
| ACKNOWLEDGEMENTS | 第54-55页 |
